Review: The Japanese House – Chewing Cotton Wool EP

The Japanese House - Chewing Cotton Wool

Amber Bain, or better known as the band The Japanese House, is ready to bare her soul in order to get listeners to feel something. From the cover art of the Chewing Cotton Wool EP to the music, it all feels very symbolic. It’s almost as if Bain is saying, “This is me. This is the pound of flesh that you are getting, whether you wanted it or not.” It’s all a very powerful artistic statement for her to get this comfortable with herself in laying everything out there for the world to evaluate and unpack.

Bain has never been a stranger to releasing her music in the form of an EP to continue to engage her audience in her evolution as an artist. The Japanese House moniker released several EPs leading up to the proper full-length debut, Good at Falling. I first heard of The Japanese House through recommendations from friends mentioning this up and coming artist that incorporated synth elements into a unique rock, pop, and indie-styled songwriting package. I wasn’t expecting the Good at Falling record to end up being my favorite LP in 2019, and finding a new artist that I felt like was transcending the expectations of what a solo artist can accomplish. Chewing Cotton Wool is a short collection of four songs that continues Bain’s evolution as an artist willing to take risks to leave haunting stamps in our memory through her music.

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Lynn Gunn Talks With NME

PVRIS

Lynn Gunn of PVRIS talks with NME:

When she announced the album back in March, Gunn revealed that, from day one, she’s consistently downplayed her true role as PVRIS’ sole creative force. She’s been responsible for everything from the band’s sound to songwriting, visuals and driving production, but has preferred to share the spotlight with her bandmates, bassist Brian Macdonald and lead guitarist and keyboardist Alex Babinski. With ‘Use Me’, though, she says she’s finally allowing herself “to take credit” for PVRIS’ ever-growing list of achievements.

“It feels so good,” she says on the phone line from her home in LA, referring to her unmasking as a “lifting of the veil”. She adds: “This had to happen for me to continue wanting to do this. With all the work I was putting into this next record, it felt really weird and uncomfortable to be giving equal credit to everyone. Brian and Alex have always been incredibly supportive of my vision over the years, but I never felt comfortable opening up and owning that role. It made me feel apathetic towards the project.”