During a listening party for VIEWS in his hometown Friday night (Apr. 29), the Toronto native shared that his soundscape has officially gone gold, selling an estimate of 630,000 copies on the project’s release date.
This first impression was originally posted as a live blog for supporters in our forums on April 30th, 2016. First impressions are meant to be quick, fun, initial impressions on an album or release as I listen to it for the first time. It’s a running commentary written while listening to an album — not a review. More like a diary of thoughts. This post has been lightly edited for structure and flow.
Ok, so it’s about 9pm on a Saturday, I’m mostly done with my tasks for the weekend, and I’m going to crack a beer and dive into this new PUP album for the first time. I thought it may be fun to write some thoughts down and kind of “live blog” the first listen. Maybe this won’t work very well, but I kinda wanna try it and see what shakes out. If it’s successful, and you all like it, I’ll try and do it again in the future for other albums.
The Guardian studied their online comments section, the results were harrowing:
The Guardian was not the only news site to turn comments on, nor has it been the only one to find that some of what is written “below the line” is crude, bigoted or just vile. On all news sites where comments appear, too often things are said to journalists and other readers that would be unimaginable face to face – the Guardian is no exception.
New research into our own comment threads provides the first quantitative evidence for what female journalists have long suspected: that articles written by women attract more abuse and dismissive trolling than those written by men, regardless of what the article is about.
There weren’t any that we started where we were like, “No, that song’s not good.” Some were better than others, and obviously we put the best on the record, but we have so many more left over that we want to continue working on them and either use them for the next record or maybe do an EP.
They also discuss in more detail the title of the album and the themes found throughout:
It wasn’t a deliberate choice, but when we started writing lyrics and coming up with song titles, we were in the valley of Los Angeles. It was a perfect California winter, and it was sunny and hot every single day. John’s studio, it’s basically indoor-outdoor with palm trees everywhere. We were writing songs called “San Diego,” “Los Angeles,” “California,” and shouting out all these California punk-rock bands, lyrics to songs, and it just had this theme of California, this beautiful, endless opportunity with something weird or twisted underneath it. All the songs kind of have that. It’s a really catchy album, a really melodic album. There are all these hooks everywhere. It has an edge to it, a darker side. It just seemed like what California means to the three of us.
@Georgia_Dow: How to choose the perfect board game.
The seven-time Grammy Award winner reportedly left behind a vault containing so much music his estate could put out an album a year for the next century. “We could put out more work in a month than most people could do in a year or more,” Susan Rogers, Prince’s former recording engineer, told ABC’s “Good Morning America.”
Travis Barker was on Radio X this morning talking about Blink-182 and the band’s new single “Bored to Death.” He talks about having no “bad blood” with Tom DeLonge and that the label were the ones that picked the first single. He described the album as a mix between Enema of the State and Untitled. The full audio can be found below.
“It goes in a lot of different directions,” says Hoppus. “We have some songs that sound like Blink-182 from 1999. … We have some songs that are like nothing we have ever done before. We have a ballad called ‘Home Is Such a Lonely Place’ that has clean arpeggiated finger-picking guitars with strings underneath it. We have super-fast late-Nineties-punk-rock-sounding songs. … We tried to capture the energy and not worry so much about all the knobs.”
Converge will be releasing a reissue of You Fail Me called You Fail Me: Redux. The new version will be out on June 17th via Epitaph and Deathwish and features a new mix by guitarist/producer Kurt Ballou, new mastering from Alan Douches, and new packaging by frontman/artist Jacob Bannon. Pre-orders are now up.
For this week’s playlist I decided to just go all in with the Blink-182 theme that’s been pretty unavoidable this week. Instead of putting together just a playlist of my favorites, or the “best of,” I went for what I consider to be underappreciated Blink-182 songs. Songs that I don’t think get enough attention in their catalog. The only rules I made for myself was that I had to keep it under 45 minutes. You can find my picks on Apple Music and Spotify and I’d love to hear what you’d put on your “underappreciated” list.