The law says that “investigative data collected or created by a law enforcement agency in order to prepare a case against a person, whether known or unknown, for the commission of a crime or other offense for which the agency has primary investigative responsibility are confidential or protected nonpublic while the investigation is active.”
The exception citation doesn’t mean that criminal charges will be filed at the completion of the Sheriff’s Office inquiry, only that charges are a possibility.
Tyler Glenn, the lead singer of Neon Trees, has released his new song “Trash” on Apple Music, YouTube, and a video on Rolling Stone. The song comes from Tyler’s upcoming solo album, due out this fall on Island Records. The full press release can be found below.
“My entire life and perspective on God, the afterlife, morals and values, my self-worth, my born sexual orientation…all of it had been wired within the framework of this religion that doesn’t have a place for me,” says Tyler Glenn. “They claim it’s the only truth, the Lord’s church, but there have been 40+ suicides within the church as a result of that – men, women and children. I needed to make this statement to artfully show the pain of a faith crisis and the darkness of doubt. But also that there are ways to reclaim what is yours – I’m beginning to reclaim what is mine now with this song, with this video and with this record.”
Rumors are running rampant that Philly Replacements revivalists Beach Slang broke up onstage last night at their show at Salt Lake City’s Kilby Court. Fans who were at the show describe a scene where frontman James Alex announced onstage that this would be their last show and the crowd would be given refunds at the door.
Update: The band have updated their Facebook page and are not breaking up:
Salt Lake, for the car crash last night and Boise, for fumbling on you, I am gigantically sorry—even bigger than that. I am going to make good on making it up to you. Cross my heart. This, and all of you, mean too much to me. I love you with thunder. I love you all the way. So, yeah, Seattle, we are still coming to your good city, wild-eyed and ready, our hearts bashed back into shape. If you’re still in, we are.
Tendril Perversion: Remember when we had phones with cords on them and they got all messed up? That phenomenon has a name. If you don’t remember corded phones, well, come sit down and listen to Grandpa tell a story.
The Punisher is getting his own series on Netflix.
EW has learned that Marvel has ordered a spin-off starring vigilante character introduced in Daredevil season 2. Jon Bernthal will reprise his role as vengeful military veteran Frank Castle, who brings his own lethal form of justice to Hell’s Kitchen.
Writer and executive producer Steve Lightfoot (Hanniba, Casualty) will serve as showrunner.
For one, I think partnering with a song-writer on the Blink album (Feldy- 5 Seconds of Summer, Good Charlotte) was too far a change, but something they desired, and that in itself may be an indicator of some of our current artistic differences that are difficult to overcome. I guess I’ve always just liked the song-writing we did together. But, at the end of the day, I support their desires. And if they are happy, then that’s what matters.
I think kinda throwing John Feldmann under the bus here is a dick move, but more so I continue to hate the meme that shows up from time-to-time that writing music with an outside source is inherently inferior. If you sit down to write music and bounce ideas around with a friend, that’s seen as totally legit. But the moment you give that friend credit on the song, or give them money for their work, somehow that’s now seen as less. I think that mentality is silly.
I’m glad to see Tom is working on his own projects and is finding happiness in all of his art and different endeavors. I also think Blink-182 is better than ever. I think it’s ok for both of these things to co-exist.
On this week’s episode of Encore we mourn the passing of Prince, discuss Beyoncé’s surprise album release and look how perfect the marketing behind this roll out seemed to be, and try and predict what the new Blink-182 song you’ve all heard would sound like three days early. We discuss Bayside’s new album, The Hotelier releasing a new song, and then tackle some listener questions. We discuss the “image” of bands, our favorite vinyl, how we read websites and why, and then debate if we can declare that emo has been “revived.”
I’m assuming most of the music world is going to be talking about Drake’s new release, Views, today, but I also think that Pity Sex and Holy Ghost! releases are worth taking a look at. If you hit read more you can see all the releases we have in our calendar for the week. Hit the quote bubble to access our forums and talk about what came out today, what albums you picked up, and to make mention of anything we may have missed.
Christopher Heine, writing for AD Week, on how a chatbot is helping sell vinyl records. And it’s working.
Here’s how it works. People sign up to receive text messages and then get an album recommendation every day on their phone. Upon seeing such an offer, they can text back either “yes,” “like” or “dislike” to inform the chatbot of their musical preferences—and the reply affects what 12-inch slabs of wax are pitched their way in the future. If they answer “yes,” a link appears to let them buy the album in a couple of clicks. The Edit has sold some 50,000 records that way to tens of thousands of subscribers. What’s more, if a subscriber asks a “human question”—such as, “What is currently playing in the office?”—a customer service rep quickly steps in and provides a contextual response to further engage the patron. If the consumer seems ready to buy something but hasn’t pulled the trigger online, the chatbot—not the rep—sends that person a message to call a rep to complete the order.
Laura Bliss, writing for CityLab, on the history of what is widely known as draft beer’s most common drinking glass … and why it sucks:
Under Fitz’s watch, there’s not a shaker glass in sight. The glass he once hardly noticed in the race towards sloshdom he now detests. “Shaker pints were never meant for draft,” Fitz says. “They’re the worst thing that ever happened to beer.”
And it’s not just at Pizza Paradiso. In more and more bars across the country, the little-recognized shaker is slipping out the back door. And among beer’s devotees, the end of the glass that defined a century in beer can’t come soon enough.