‘Atticus … Dragging the Lake’ Turns Twenty

Side One Dummy

Brooklyn Vegan has a look back at the Atticus … Dragging the Lake compilation, which was releases twenty years ago on Side One Dummy Records.

It helped shine even more of a light on Drive-Thru Records, which was a crucial player in emo/pop punk crossover and which was growing rapidly thanks to the success of their flagship band New Found Glory and a then-recent deal with MCA Records (home of blink-182). NFG, who were already pretty big at this point and about to be much bigger upon dropping Sticks and Stones a month after this comp came out, were represented with their then-rare Christmas song “Ex-Miss,” and other Drive-Thru bands who were on the cusp of breakthroughs were there too. Philly emo-leaning pop punks The Starting Line were there with “Greg’s Last Day” from their 2001 debut EP With Hopes of Starting Over, and a few months later they’d begin rapidly rising with their debut LP Say It Like You Mean It. Long Island emo/melodic hardcore band The Movielife made the cut with “Walking On Glass,” one of the best songs from their 2001 EP The Movielife Has A Gambling Problem. Finch, who were instrumental in putting a pop punk-friendly spin on post-harcore, made the cut with “Post Script” from their debut LP What It Is To Burn, which came out a couple months before Dragging the Lake.

Review: Something Corporate – Leaving Through The Window

“Write what you know.” That piece of advice has been given countless times to countless writers across countless different mediums, from books to films to TV shows. It’s not a bad tip, especially for greener storytellers, but it can also be limiting. In the world of songwriting, especially, one of the great joys is how a song can allow you to inhabit someone else’s life for a few minutes, or to experience a world other than your own. There’s something exhilarating about when a talented songwriter steps outside their own life to take a walk in someone else’s shoes, whether it’s Springsteen writing a bunch of songs about killers and criminals on Nebraska or Taylor Swift closing her own diary to explore character on folklore and evermore. Still, for some writers, the “Write what you know” mantra is the gateway to brilliance, and few young songwriters ever took it more seriously than Andrew McMahon did on Something Corporate’s 2002 major label debut, Leaving Through the Window.

McMahon turned 19 on September 3, 2001. A few months later, on the day after Christmas, he and his bandmates commenced recording for the album that would become their big breakthrough statement. By January, the album was done, and on May 7, 2002, it hit the streets. McMahon was still four months shy of his 20th birthday, and less than two years out of high school. Rather than try to write songs that hid his youth, McMahon embraced it. The result was one of the greatest and most authentic albums ever made about teen angst, growing up, and coming of age. Leaving Through the Window is now older than McMahon was when the record came out, but it remains gripping and beautiful due to how timeless the themes and stories proved to be.

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Nautical Mile – “Follow Me” (Video Premiere)

Nautical Mile

Today I’m thrilled to bring everyone a really cool music video for a cover of an Uncle Kracker classic, “Follow Me,” presented in the style of alternative rock/punk band Nautical Mile. The band, who hails from Perth, Australia, have toured with scene heavyweights like Senses Fail, Hawthorne Heights and Hands Like Houses and also released an EP of their own tunes recently called Embers. I was able to catch up with Nautical Mile to discuss their cover song, as well as what they’ve been up to musically, and if you’re enjoying the new single, you can purchase it at your favorite streaming service.

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