A few weeks back, I was lucky enough to attend the Shaky Knees Festival in Atlanta, Georgia. It was a high-energy weekend filled with great bands (both up-and-coming and established). One of the best bands I saw was Polyenso, who played an early Saturday set on the Buford Highway stage. Afterward, I got to sit down for a bit and chat with the band about their new record The Pure In The Plastic, what they’re anticipating most from their upcoming tour with PVRIS, and how their songs change in a live setting.
“We don’t get our first break until August and it’s not even 100% that we’ll get that, something might come up,” says Brian. “And then I think we’re supposed to record in September or October. That’ll be nice,” insists Lynn. “We’ve got a cool spot picked out and for me, writing is really relaxing. It’s nice downtime. It’s hanging out with Blake and these guys every day. I’m definitely more excited to do stuff in the future now because I know how much we can pull strings,” she grins as the bold get bolder.
Weekly Discussion: What is your most anticipated movie of the summer?
i had the absolute pleasure of interviewing Butch Vig a few weeks ago and we talked a little about Chase This Light, how he loved what the guys had going on when they started talking ideas, and how he’s still good friends with the band. he then said he ran into Jim the other day, who was in a hurry because “they were on a schedule” and “the record had to be finished by this month”.
Please be true.
Federico Viticci, writing for MacStories, on his history with mixtapes:
This went on for months. Listening to Luca’s CDs became a habit for me. I would listen as I perused his handwritten tracklists in the back of the CD covers. My mom would even ask me to “play Luca’s music”. I loaned a few of Luca’s CDs to my classmates. I believe that Luca kept doing it for a simple reason: he was (still is) a good friend and he thought it was cool that he could download music for free and burn an extra CD for me. Talking about new songs and old gems he included in his mixes was an excuse to catch a break between classes – no texting, no selfies, just two friends discussing songs on a mixtape.
Take the time to read this today.
Kraftwerk’s Ralf Hutter sued Moses Pelham, alleging that his use of the clip, without asking, infringed the band’s intellectual property rights. But the German Constitutional Court decided that the impact on Kraftwerk did not outweigh “artistic freedom”.
The dispute centres on a short drum sequence looped repeatedly in the song Nur Mir (Only Me) by Sabrina Setlur.