2020? Are you sure?

It seems like just yesterday that I was combing through the AbsolutePunk.net boards, reading the 2009 end-of-the-year lists that crowned records like Manchester Orchestra’s Mean Everything to Nothing and Thrice’s Beggars among the finest releases of the year. A lot has changed since then—in music, in our lives, and with the state of the world—but here we are again 10 years later, taking stock of another ending.

There have been a lot of endings over the past decade. Bands we loved have called it quits. Staff members who gave countless hours of their time writing for this website have moved on to other things. AbsolutePunk had its own sunset in 2016, relaunching as Chorus.fm that spring. And yet, a lot of things have lived on, too. Our love for music, certainly, is alive and well. The vibrancy of this community as a place to talk about bands and share things you love with like-minded souls has persisted, too. And some of us have been here for a very long time, watching the state of the music scene and the world at large shift from behind our keyboards, the headphones in our ears playing us the latest thing that might get our hearts racing like our old favorite records always have.

I don’t have a neat little bow to tie around the 2010s to commemorate their impending conclusion. It’s been a chaotic decade in a lot of ways. It’s certainly been the most chaotic music era on record. The way we listen to music has changed. Entire formats have shifted. Trends have sprung up and others have died. Artists have reshaped the way that music is written, recorded, packaged, released, shared, and marketed. And perhaps most importantly, there’s just been more: more music making its way into the world on a weekly basis; more ways to hear it all; more ways to discover; more ways to think about what art can do, both in our personal day-to-day lives and to the world that we live in.

Perhaps it’s fitting, then, that our list of favorite records from the 2010s is a bit chaotic in its own right. It’s a smorgasbord of genres; a kaleidoscope of emotions; a place where massive pop superstars can coexist with the bands that really feel like they are ours, the ones that have been so foundational to this community and its unique musical identity. The list is also a testament to how much opinions on music can change over time. Some of our former Album of the Year winners are missing entirely; other albums have grown in our estimation, swimming to the forefront as, we think, the foremost artistic achievements of the past decade. Ask us again in two months and we might see things differently. For now, it’s time to put our pencils down and close the book on this chapter.

To everyone who is reading, or to anyone who has played a part in the AbsolutePunk/Chorus.fm story over the past decade, we say thank you. What a long, strange trip it’s been. Here’s to another 10 years of music mending broken hearts. [CM]

Read More “Chorus.fm’s Top 50 Albums of the 2010s”