Review: Hit the Lights – This Is A Stick Up… Don’t Make It A Murder

Drew Beringer Apr 1, 2006

Tell me again how we're easily forgettable
So formulaic and way too simple to be at all original, yea so we've heard
It's time to keep your mouth shut while we show you how to rock-n-roll

This is how Hit The Lights begin their debut full-length album, This Is A Stick Up….Don’t Make It A Murder, by responding to a certain AbsolutePunk.net reviewer’s opinion on their EP Until We Get Caught. The Lima, Ohio, five-piece not only deliver on their promise to “show us how to rock-n-roll,” but this album is also one of the first feel-good albums of 2006. Produced by Matt Squire (The Receiving End Of Sirens, Panic! At The Disco, many others), HTL offers us 12 tracks of pop-punk goodness that’ll have you wishing that summer were already here.

AbsolutePunk Mar 23, 2006

Let’s start this with a disclaimer. The readers at AP.net have known that I haven’t been one to shy away from my opinion in the past. In fact, I’ve taken a fair amount of criticism for being too harsh on bands in the past (and too nice, it’ll never end). Those of you who are looking for me to rip FFTL to shreds can stop reading at this point, because it’s not going to happen. I don’t care what you think of this review and I don’t care what you think of me. All I know is that From First to Last has shocked me by creating a solid album that I expected to be awful. From the band’s previous work full of oversaturated clichés and ear-splitting vocals, one would never think the band could progress to this sort of level. If you haven’t given Heroine a fair listen, then you can’t judge this band. Yes, their image is absurd. Yes, many of their fans are ridiculous teenage girls with eyeliner and glam/goth outfits. But putting aside all of these factors, one must strip down FFTL and critique the actual music – and it’s good. This is a group of talented musicians who seem to have truly found their sound, with the help of acclaimed producer Ross Robinson, well known for his work with late 90’s nu-metal acts such as Korn and Slipknot. Robinson’s touch gleams off of Heroine from start to finish. Gritty as hell, full of obscenities and soaring sing-along choruses, FFTL has successfully transformed their sound.

AbsolutePunk Mar 15, 2006

When I sat down to review this record, I thought I’d browse the web to see what other people have said about Canyoneer. It only took a few minutes for me to realize that people know absolutely nothing about this band, and some of the reviews I read were so under-researched and inadequate that it actually made me upset. One website even went so far as to call No Trigger a “more scene Rise Against.” It is with these reviews in mind that I felt justice must be done to such an incredible band and release. And trust me, there’s nothing overtly “scene” about No Trigger – they’re more like a balls to the wall fusion of punk, melody, and hardcore. No Trigger shouldn’t be viewed as an aspiring band in comparison to Rise Against when they’ve already created a record that rivals anything Rise Against has ever created.

AbsolutePunk Mar 14, 2006

I’d have to say the “Screaming Is For Babies” tour is one of my favorite tours in a long time; how’d it get put together and how’s it been so far?

Well this is kind of like our first real headlining tour—we headlined the Drive Thru tour before, but this was like the first chance for us to go out and headline and pick the bands that we wanted to pick. We got a list of who we could take on the tour, and we wanted to make it sort of a diverse bill of bands that we’re all fans of, and we knew the Cartel guys a little bit before going into it, but not really all that well, and we met the Gatsbys guys on Warped Tour, and we’re just fans of all the bands on it. It’s a lineup that I’d love to see if I was going to a show because there aren’t really two bands that sound alike, and I love going to shows like that. Kids that come for us or Cartel may have not heard Copeland or Gatsbys, and to introduce them to a new band is awesome, especially bands like that.

How does it feel to have your most successful tour in quite some time when some people had maybe written you off?

It’s cool man. The fans are there and it’s proof that good work ethic and grassroots touring makes real fans. Kids support the record, although our record label hadn’t and didn’t really get it out there in full force, but our core audience seems to really like the record or people who didn’t like the last record might like Based On a True Story. It all comes down to the songs, and if people connect with the songs, they’ll support your band.

AbsolutePunk Mar 7, 2006

I had the opportunity to conduct this online interview with Trevor Reilly, guitarist/vocalist for A Wilhelm Scream. Their fantastic second album, Ruiner, came out on Nitro Records last year. The band puts on a killer live show that I highly recommend you check out.

AbsolutePunk Mar 2, 2006

Surprising everyone by signing to major label RCA, Anti-Flag, one of the ultimate anti-establishment proponents, was doing one of two things – committing career suicide and losing all their hardcore DIY fans, or getting a chance to create one of the best albums of their career and send their message to the entire world. It certainly appears the latter is about to happen. Anti-Flag created a great record with top-notch production, intelligent songs, and an unabashed political message. Full of gang vocals, simplistic and memorable choruses, For Blood and Empire is an impressive major-label debut which will expose the band and their message to more than ever before. As always, the band’s intention seems to be raising awareness about the political environment while calling out our nation’s wrong doings and ignorance.

AbsolutePunk Mar 1, 2006

Brett, first off, I want to say thank you for taking the time to do this interview. You’re music has been a huge inspiration to me, as well as many of the readers on absolutepunk.net.

Thank you! It’s no problem at all.

I think the first question on everyone’s mind, is will ever see a farewell tour, or maybe a farewell show?

Well Caleb, unfortunately for the kids who wanted to see us one last time in the States, our final show was in Cologne, Germany. We did not want to do a farewell tour because the last thing we wanted to do was to prolong our breakup. It’s been rough enough just breaking up, let alone 6 weeks of shows under that knowledge. Also, there were a lot of logistical things that got in the way of doing one final show Stateside.

Drew Beringer Feb 21, 2006

Over the past year, The Academy Is… has sold over 100k of their Fueled By Ramen debut, Almost Here, have toured with the likes of Fall Out Boy and Midtown, have headlined their own nationwide tour, and have been embraced by TRL and 15 year old girls everywhere. They have boarded the “buzz” train and are on their way to a major label deal, so to keep the buzz pulsating and to satisfy fans (old and new alike), they have released a 6 track EP titled From The Carpet, exclusive only to iTunes. Now while I strongly disagree with this “digital only” crap, The Academy Is… (vocalist Will Beckett, guitarists Mike Carden and Tom Conrad, bassist Adam Siska, and drummer Andy Mrotek) do not disappoint with this EP. With 2 new acoustic songs, one John Lennon cover, and 3 new versions of favorites from the debut, this EP is definitely a must-have for all TAI fans.

AbsolutePunk Feb 14, 2006

Produced by the masterful Nick Launay (Silverchair, INXS, Gang of Four), State of Emergency is quite the fourth album from The Living End. After the success of their Mark Trombino-produced third album, Modern Artillery (2003), the band took the overwhelming sheen from that CD, pared it down to simply a dull roar, and unleashed the aggression that seemed to be missing on their last album on State of Emergency. As a finished product, we the listeners get a CD packed with gritty post-punk and no bullshit to be found.

AbsolutePunk Jan 21, 2006

There are two overly weak aspects of Hawthorne Heights’ If Only You Were Lonely, and they are the same two elements that plagued their high selling The Silence in Black and White. Lyrically, Hawthorne Heights needs a lot of work to pass up the post-hardcore clichés of their predecessors in their own songwriting, and they need to do something more profound with their triad of guitars. When you have three people playing the same instrument and a bassist to add to the mix, we need something more complex than a flourish or a little reverb here and there to accent the lead guitar. Any metal or hardcore band worth their salt can play something similar with one guitarist and a bassist; the band has a huge opportunity to make grippingly corrosive music to curl your toes, the likes of which modern music has not seen. Instead, The Fully Down (who also have three guitarists) put Hawthorne Heights to shame in that department.

AbsolutePunk Jan 19, 2006

This is an open letter to Yellowcard, a band whose album Ocean Avenue I consider one of my favorite “summer albums,” and who hail from Jacksonville, in my adopted home state of Florida. I will welcome any attempt by the band to contact me regarding this review/open letter, and I am looking forward to reading fans’ thoughts.

Dear Yellowcard,

So you’ve finally gotten over the MTV-spurred major-label buzz from Ocean Avenue and the unceremonious banishment of guitarist and founding member Ben Harper (who you have replaced by former Staring Back guitarist Ryan Mendez) in time to build on that promising hype you generated back in 2003. The hype is there, with your lead single hitting the airwaves only about half a million times a day. With electrically charged guitar riffs, the title track is fun to listen to the first few times. But Ryan, your voice needs a little bit more “oomph.” I believe that as a band, you have managed to earn early “worst of ’06” honors for your abysmally awful “Down On My Head,” which stinks up the third spot on the CD. Did you just take cheesy emo lyrics, put them on repeat, and toss in a little bit of one-dimensional harmonizing for good measure to make sure the song is dead as a doornail? I’m of course going to say this and you’ll pick it as the next single, catapulting this steaming pile of dung into trendy oblivion. After your listeners work their way through that drag of a song (or just press “skip forward”), I have to give you props for the first solid track on Lights and Sounds. “Sure Thing Falling” is hard charging and overwhelmingly hooky, which plays to its advantage. I enjoy the brief interlude from violinist extraordinaire Sean Mackin late in the song as well, which adds some depth to this catchy piece of music. Characterized by a throaty bass line and simple yet well-written guitar riffs, “Sure Thing Falling” will hits your listeners hardest with the infectious lyrics, which are probably the best on the album. One for two isn’t bad.

AbsolutePunk Jan 14, 2006

This interview was conducted via email on January 14th, 2006 with record producer Matt Squire (Northstar, The Receiving End of Sirens, Panic! At the Disco, The Junior Varsity, Hit the Lights, etc., etc., etc). I don’t know how to thank Matt enough for the work he put into this interview. It was extremely long, he’s a busy man, and yet he still came up with detailed, thorough answers.

AbsolutePunk Jan 6, 2006

Having garnered much praise and acclaim for their Moog-laced, high-octane, pop-tinged, full length debut I Am the Movie, expectations for Motion City Soundtrack’s follow-up, Commit This to Memory, were astronomically high, especially with Mark Hoppus of Blink 182 fame on board as producer. So, with all the build-up and the big name attached to the project, did Motion City Soundtrack deliver? Absolutely, and then some.

AbsolutePunk Dec 13, 2005

It’s been three very long years for Finch fans across the world. After the immense success of the band’s debut full-length What it is to Burn, fans grew tired of watching Finch play tour after tour, performing the same songs that had since grown old. Although Finch had played a large part in triggering the so-called “screamo” explosion, their sound had been replicated by hundreds of other bands who tried to cash in on the screamo fad. Of course, Finch was one the first bands to become a commercial success while performing that style of music. That was three long years ago, and the Finch faithful have been anxiously awaiting another album with bated breath. New demos began to surface, and reactions were widely varied. The consensus seemed to be that everybody absolutely hated Finch’s new style, or loved it. One thing was for sure – Finch’s new material was not going to be What it is to Burn part 2. That brings us to today, just days before Finch’s long awaited follow-up album, Say Hello to Sunshine.

Drew Beringer Dec 7, 2005

I remember when I was 17 years old. I did a lot of stupid things, as well as some great things, but I never did what the 4 members of All Time Low did. That would be releasing a debut album under independent label Emerald Moon Records. Hailing from Baltimore, All Time Low (consisting of lead vocalist and guitarist Alex Gaskarth, guitarist Jack Barakat, bassist Zack Merrick, and drummer Rian Dawson) have released an album, titled “The Party Scene”, filled with great melodies, catchy sing-alongs, and energizing guitar hooks. If you were listening to this album for the first time, not knowing who the band was, you would think that this would be an established pop-punk band’s second or third album. You would think that a band with four 17 year-olds wouldn’t be able to write an album as good as this. But All Time Low has surprised many, showing that they are very talented despite how young they are. Prepare yourself for 40 minutes of some of the best pop-punk you’ll hear all year.

Review: Hit the Lights – This Is A Stick Up… Don’t Make It A Murder

Review: From First to Last – Heroine

Review: No Trigger – Canyoneer

Interview: Matt Watts of The Starting Line

Interview: Trevor Reilly of A Wilhelm Scream

Review: Anti-Flag – For Blood and Empire

Interview: Brett Detar of The Juliana Theory

Review: The Academy Is… – From the Carpet EP

Review: The Living End – State of Emergency

Review: Hawthorne Heights – If Only You Were Lonely

Review: Yellowcard – Lights and Sounds

Interview: Matt Squire

Review: Motion City Soundtrack – Commit This to Memory

Review: Finch – Say Hello to Sunshine

Review: All Time Low – The Party Scene