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LATEST ARTICLES - PAGE 17

Review: The Way Down Wanderers – More Like Tomorrow

Adam Grundy

Coming off of the success of their 2019 breakthrough record, Illusions, folk rockers The Way Down Wanderers have returned with their sophomore effort entitled More Like Tomorrow. This five-member band from Peoria, Illinois have made an album worthy of the heart that they affectionately used to cover this collection of ten songs brimming with purpose and professional poise. The band is unique in that they have two lead songwriters/vocalists in Collin Krause and Austin Krause-Thompson, and yet their combination of tackling core themes like addiction, relationships, and living life to the fullest never seems forced or appear to be a struggle between the two core songwriters. More Like Tomorrow is a nice encapsulation of this period of time in our lives where we search for our “true north” and let go of the outside noise that distracts us from living our best lives.

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Review: PHNTMS – “Paper Flowers”

PHNTMS - "Paper Flowers"
Adam Grundy

I’m thrilled to introduce everyone to PHNTMS, a great female-fronted pop-rock band from Philadelphia, PA that seems poised for breakout success. Their latest single, “Paper Flowers,” is a bombastic blast of alternative rock with a pop polish that is ready for radio dominance. The band has opened for huge bands like Kings of Leon, The 1975, and Bastille, and it’s clearly evident of why these bands would chose PHNTMS to get their crowds ready for a great night. Their yet to be announced EP should only further solidify the direction the band is going for on this great-sounding song.

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Review: The Slang – Divide

Adam Grundy

The funny thing about debut albums is that they’re filled with so much promise, blissful ignorance, and a full beating heart filled with the utmost purpose. Washington, DC’s The Slang are able to capture that early magic that bands would kill for at this stage of their career. Divide, in a lot of ways, investigates where we are as a society today, but it’s vibrant guitar tones and uplifting choruses keep the material from sinking into the abyss. When I last caught up with the band for an interview, the band appeared to be completely flattered by my early praise of their album that I got an advance copy of. After explaining to The Slang (comprised of John Bobo and Felix Nieto) just how great their debut is, I hope I was able to instill some new-found confidence in this band that I feel everyone should turn their immediate focus onto.

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Review: Thrice – Horizons/East

Adam Grundy

The word that most closely comes to mind when talking about Thrice is consistency. The second word that I most closely associate with this legendary band on their 11th studio album, Horizons/East, is variety. They simply do not make the same record twice; a true marking of an artist that is uncomfortable with the comfort that comes with creating similar sounding material. On Horizons/East, Thrice are able to embrace the change that comes with pushing themselves to their artistic limits, and much like that famous Lindsay Lohan meme; the limit does not exist.

This picturesque record opens with the sprawling “The Color of the Sky,” as Dustin Kensrue sets the stage with, “My first and foremost memory / Is staring up in wonder at the wall / It circumscribed the city / They said beyond it nothing dwelt at all / But I came to wonder if the stories all were true / So one night I made my mind up / I resolved that I would find a passage through” before drummer Riley Breckenridge explodes into one of my favorite drum fills in recent memory. Kensrue’s closing lyrics of “I don’t know the way, but I know that I belong out here / On this journey that I never thought I’d make / Setting out across a new frontier / A new horizon with each eager step I take,” seems to encapsulate everything that I love about his top-notch storytelling on my favorite opening tracks in their discography since Vheissu’s “Image of the Invisible.”

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Review: Right On, Kid – Life Is A Movie

Right On, Kid
Adam Grundy

If you’re looking for solid pop-punk with a heartbeat, you’ve come to the right place. Right On, Kid are a five-member band from Albuquerque, New Mexico, and have crafted an album worthy of early recognition and praise. Their first EP called When Words Are Enough announced their arrival to the scene, whereas Life Is A Movie welcomes them into the fold with open arms. This album is filled with everything we all love about the genre: great sounding hooks, uplifting vocals, well thought out lyrics, and plenty of excellent drumming. With a sound similar to Hit the Lights, Mayday Parade, and All Time Low, you may need to thank us later for introducing you to your latest pop-punk obsession.

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Review: January Jane – Your Drug

January Jane
Adam Grundy

The circumstances that led to New York City’s-own January Jane being signed to a major label record deal, and also getting the stamp of approval from veteran music guru Matt Pinfield are quite unique. In the interview I conducted with vocalist Pat Via, guitarist Mitch Mitchell, and Pinfield, they described the path that led them to each other, and their bond continues to be a major success story to this day. Their debut EP, Your Drug, is a solid blast of energetic pop rock built for instant radio success. The lead single, “Versions of You,” has already charted on the Adult Top 40 National Airplay Billboard barometer of popular music. Rounded out by keyboardist Peter Scalia, January Jane might just be the band that we need to get us through this dark period in history.

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Review: Thrice – Major/Minor

Adam Grundy

Is there a more reliable rock band than Thrice? The band was consistently delivering landmark album after landmark album in the wake of Vheissu, the ambitious The Alchemy Index, and one of my all-time favorite Thrice albums in Beggars. The band approached their eighth studio album, Major/Minor, with veteran poise under the leadership of producer/mixer/engineer Dave Schiffman, who also oversaw Vheissu (audio engineer) and Beggars (mixer). Vocalist/guitarist Dustin Kensrue described their choice of producer in an Alternative Press interview where he said, “We had him come down to our practice space when all the songs were kind of being played and [he] just kind of listened through and talked about them and made a couple changes based on little things said here or there, but it was really minimal in that regard. He was mostly just bringing his experience as an engineer and mixer, just knowing how to get the sounds nailed down. We’re really comfortable with him.” This comfort that Thrice felt with Schiffman pays major dividends as the band continued their mean streak of solid-sounding albums.

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Review: The Horrible Crowes – Elsie

Craig Manning

Brian Fallon didn’t NEED to make Elsie. By the time this album arrived – the one and only record Fallon made with the side project he dubbed The Horrible Crowes – Fallon was already well on his way to rock star status…or, at least, it seemed that way at the time. His full-time band, The Gaslight Anthem, had released three albums and an EP in the space of three years and about two weeks – a remarkable run that saw the band gaining ground with each release. By the time Elsie arrived in September 2011, there was already buzz brewing about Gaslight Anthem LP4, and about how that album had the potential to launch Fallon and company into a whole new stratosphere. Just about anyone else would have taken a well-deserved break. Based on the exhaustion that would eventually crash The Gaslight Anthem, maybe Fallon should have. Instead, he teamed up with his guitar tech, Ian Perkins, and made one of the great left-turn albums in 21st century rock ‘n’ roll. Some days, I think it might just be his masterpiece.

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Review: Longsleeves – Joyrider

Adam Grundy

It’s commonplace for me to be pitched new bands looking for my thoughts on their music, and I can’t help but feel flattered by the number of submissions I’ve received since I started writing for this site. It makes my job that much easier when being presented with music that immediately shimmers through the speakers as it does on Longsleeves debut EP, entitled Joyrider. The band is comprised of vocalist/bassist Austin Fontenot, guitarist Curtis Allison, guitarist Kyle Bauer, and drummer Matt Francis, and their charming debut is somewhere between a mix of early-Hawthorne Heights emo mixed with the polished grunge of 90’s rock acts like Smashing Pumpkins all blended with the radio-ready hooks of Gin Blossoms. The Norfolk, Virginia band has plenty to like on Joyrider, and Longsleeves are one of my “bands to watch” as their career in music seem poised for future success.

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Review: Chvrches – Screen Violence

Adam Grundy

It’s been written several times over the course of music history that an artist’s most important album is their current one, since it has the potential to make or break their career depending on the commercial and fan reaction to their product. In a lot of ways, a band usually makes their next album as a reaction to the one that came before it, and that rings very true on Screen Violence. CHVRCHES released their third record, Love is Dead, to a mixed bag of reviews with some reviewers claiming it was a step back from their early magic found. I personally didn’t see Love Is Dead as a step back, but after hearing the major step forward on Screen Violence, I can at least see where some of those reviewers were coming from. Screen Violence is a direct reaction to society’s obsession with others reactions to social media posts, how the media portrays major news events, as well as keeping our own mental health balanced through all of the distractions that exist in our world. With so much “noise” in today’s world, it was only a matter of time before this band made one of their boldest artistic statements to date on their fourth full-length record that shatters even the highest of expectations for where they could take their sound.

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Review: Lovebreakers – Primary Colours

Lovebreakers - Primary Colours
Adam Grundy

On the debut record from the power-pop band Lovebreakers, they channel summer vibes and great guitar hooks into a crowd pleasing package. Primary Colours was produced/engineered by veteran Davey Warsop (Green Day, Foo Fighters, Weezer), and he gets a great performance on each of the ten tracks from this four-piece unit. The band plans to hit the road next year in support of punk rock legends Social Distortion. With such a tight-knit group of songs found on this debut, it should only be a matter of time before many others catch on to Lovebreakers’ greatness.

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Review: Out of Service – Shelter

Adam Grundy

The last time I sat down to write about one of my favorite and newest emo bands called Out of Service, I fell head over heels with being enamored by their debut Burden. Fast forward to 2021, and I am given a massive clue of new music on the horizon when I tagged the band in a post about new and exciting emo bands that pack plenty of musicianship, and none of that nasty controversy. Once I had this single for “Shelter” fall into my lap, I must’ve played the track at least three of four times to appreciate its slow-building beauty and great song structure. Now that the single has been released into the world as of yesterday, I can only imagine how everyone will be receiving the news of this band’s triumphant return. Out of Service are back, and sound as focused and as poised as they’ve ever been.

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Review: The Killers – Pressure Machine

Craig Manning

“I never really gave up on breaking out of this two-star town.”

When Brandon Flowers sang those words back in 2006, he completed a rock ‘n’ roll rite of passage: that of penning a great escapist anthem. The album he was working on at the time, the sophomore Killers LP Sam’s Town, was in part an homage to Bruce Springsteen, so it made sense for there to be a song like “Read My Mind” that channeled some of the pulling-out-of-here-to-win energy of Born to Run. When Flowers sang that song, you could hear in his voice the yearning to get out and find something better. You didn’t know where he was going, but you felt like he was probably never coming back.

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Review: M.A.G.S. – Say Things That Matter

Adam Grundy

When I last caught up with M.A.G.S. (the moniker for Elliott Douglas), his anticipation for his next album Say Things That Matter was utterly infectious. After hearing the rest of the material on this LP, it’s easy to see just why he would be so excited for the rest of the world to hear these songs. From the summer swagger of “Choked Out,” the pop guitar-driven rock brilliance of “Smile,” to the possible best song of his career in “Beg,” all of the singles connected with me on both a personal and spiritual level that I was not originally anticipating. M.A.G.S. is hitting the road this fall on a tour with The Happy Fits and Snarls, and it’s only a matter of time before the masses understand his brilliance in his songwriting.

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Review: The Difference Between – Detach: Envenom

Adam Grundy

The latest emo/post-hardcore “supergroup” comes now in the form of The Difference Between on their debut EP Detach: Envenom. The band is comprised of the ever-familiar vocals of founding vocalist of Emarosa (Chris Roberts), guitarist Chris Wethington, bassist Garrett Harper (both of Softspoken), and drummer Cody Frain (of A Scent Like Wolves). On this heavy, yet incredibly moving EP, The Difference Between embrace their lofty goals for their aggressive sound, and utilize their past projects into a crowd-pleasing musical package on these three songs.

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