Review: COIN – Dreamland

Having knocked the rust off and avoided the dreaded sophomore slump that so many bands seem to struggle with, COIN have returned with their third album called Dreamland. A reasonably straight-forward record that likely won’t dissuade longtime fans of the band from staying true to the group, but also one that doesn’t stray too far from what the band has already tried so they may have a difficult time gaining a wider audience. There are a few nuances and improvements to COIN’s sound that make it hard to fault them for continuing with a successful formula, such as dream-pop elements filled with lush synths and breezy guitars. As much as I enjoy listening to this band and this record, it feels like it lacks some of the energy and urgency that made their second record How Will You Know If You Never Try so endearing. The familiar sounds and stylistic choices feel welcoming at first. Still, by the time you get to the conclusion of the record, you’re left with a feeling of a small missed opportunity to take advantage of the momentum gained from their breakthrough second album.

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Review: Green Day – Father Of All…

Green Day - Father

When I last sat down to write about a Billie Joe Armstrong project, I put my thoughts down on a band called The Longshot. What I wasn’t expecting from the new Green Day album, called Father of All Motherfuckers, is for that aforementioned side project to surpass the quality of the much more established brand. But alas, on Green Day’s 13th studio album, they have taken a few steps backward as they try and regain their footing. At first, it was tough for me to put my finger on where it went wrong on this record, but after re-listening to the album a few more times since its release date, it just isn’t as strong as I have come to expect from the pop-punk giants. Produced by Butch Walker, Chris Dugan, and Green Day, the album should have been a momentous creative igniter for the band to re-solidify themselves right before their most prominent touring stint in recent memory (the Hella Mega Tour with Weezer and Fall Out Boy). But instead, the final mixes of this record feel like they are missing a key ingredient in what made the band such a fun time in the first place.

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