Kevin Devine Breaks Down His Latest Single

Kevin Devine

Kevin Devine talked with Consequence of Sound about his latest single:

“I Wrote It Down For You” started on bass before I transferred it to guitar for recording and live performance, and the approach was inspired by this song and the ’50s girl-group songs which inspired it. The “bomp / bomp-bomp / BA” percussive energy, the sweetness (and slight idiosyncratic twist) of the lyric, the way it moves itself along, classic-feeling, unencumbered by itself, making room for what’s being said. That felt like the clear priority for this song: directness, a platform for the lyric, the melody, the feeling.

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Review: Rita Ora – Phoenix

The drought is over, and Rita Ora is back with a shower of blessings in the form of new music. It’s been more than six years since the release of her debut album, ORA which gained the attention of several music fans in the world. With songs like “How We Do (Party),” “R.I.P,” and “Fall in Love” it was like love at first listening for pop fans. Since then, she has released impactful singles like “Let You Down,” “Poison” and “Body On Me” that made fans thirst for another album. Unfortunately, the legal tussle with her previous record label, Roc Nation stopped this from happening.

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Review: Muse – Simulation Theory

Muse - Simulation Theory

Synth lovers, rejoice! Muse have crafted a powerhouse of a record in Simulation Theory that is one of the more immediately gratifying albums to date. From the futuristic artwork that could easily be mistaken for the poster art of the next Blade Runner film, Muse has their sights set on making everything that they have alluded to in the past few efforts bigger and brighter.

From the dramatic introductory track, “Algorithm” sets the stage perfectly for a thrilling ride of an album. Lead singer and guitarist Matt Bellamy opens the set by singing, “Burn like a slave/Churn like a cog/We are caged in simulations/Algorithms evolve/Push us aside and render us obsolete.” Bellamy and company have never been strangers to using samples and synths to enhance their sound, but on Simulation Theory, they ultimately went for everything that they had been hinting at over the past few LPs.

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Review: Girih – Eigengrau

Girih - Eigengrau

The New Hampshire post-metal trio, Girih, are here with their debut EP, Eigengrau, and it channels several key influences of similar “math rock” bands such as Thrice. The dark tones found throughout this EP mesh well with the variety of riffs and noises on this debut. The major disclaimer for this EP is that it is instrumental only, but there are plenty of redeeming qualities to find on this record.

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Review: The Killers – Day & Age

I believe “What the hell happened?” was my first reaction upon hearing Day & Age, the third album from The Killers, for the first time. This record didn’t compute for me. It was bizarre and misshapen, a mess of ideas that never coalesced into anything that made sense as a unified work of art. It sounded to me, on first listen, like a B-sides record. If The Killers hadn’t released an actual B-sides collection just a year before, I might have wondered if the band just gotten lazy and pulled out some ideas they’d shelved for earlier records. But apparently Day & Age was the statement the band really wanted to make at that time, and what an odd statement it was.

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