While I was planning to write about Tokyo Police Club’s 10-year anniversary of Champ last June, I never got around to finishing my retrospective. So, this one goes to 11. This is one of those great indie rock records that has aged gracefully and ended up being the breakthrough album for Tokyo Police Club. Champ followed up their debut, Elephant Shell, and showcased the growth in the four musicians that made up the band. Frontman and bassist Dave Monks sounded as captivating and confident as he ever did on this album, and Greg Alsop, Josh Hook, and Graham Wright helped solidify the band’s great chemistry here. The album was produced by Rob Schnapf (Beck, Saves the Day, Elliott Smith) and he really was able to get the best out of the band on Champ.
Read More “Tokyo Police Club – Champ”Review: Adventurer – Pacifica
On the latest album from the post-hardcore band Adventurer, the group is able to channel a lot of the best elements of the genre into a creative work of art. Led by the talented and energetic vocalist Jeff Masterson, there’s a lot to like about Adventurer on their sophomore album entitled Pacifica. What the band does best on this album is to allow their spiraling guitars to tangle a complex web of emotions paired well with their vocalist’s ability to match each of the highs and lows of the songs. Adventurer have gained key experience by touring with bands like Dance Gavin Dance and Hail the Sun, that they have put directly back into their sound. With an energetic blend of songs similar to Saosin, Taking Back Sunday, and early-Hawthorne Heights, this band could very well be your next obsession.
Read More “Adventurer – Pacifica”Review: Twenty One Pilots – Scaled and Icy
On the sixth studio album from Twenty One Pilots, the band literally could have gone in any direction that they pleased. Their run of ultra-successful records started with Vessel, exploded with Blurryface, and maintained high interest in Trench. On the latest album, Scaled and Icy, the band conquers complex themes like anxiety and self-doubt while still maintaining an optimistic outlook that things can and will get better. The material found on this album is largely upbeat, even when the weight of the lyrics allow the listener to reconsider everything that they just heard. In many ways, Scaled and Icy is the album that best represents the sound that their label Fueled By Ramen so successful over the past two decades. This album features elements of label alums like fun., Paramore, Fall Out Boy, and the modern glow of the recently signed Meet Me @ the Altar. By packaging so much raw emotion into this album that consistently delivers more than it misses, Twenty One Pilots have made yet another massive record perfect for summer and finding the light at the end of the tunnel out of this pandemic.
Read More “Twenty One Pilots – Scaled and Icy”Review: Foster the People – Torches
How does a struggling musician and former commercial jingle writer come up with one of the most popular songs in 2011? “Pumped Up Kicks” was literally everywhere that summer the single released to kick-start the insane popularity of Foster the People. From being played while getting your groceries to excessive modern rock radio airplay, there didn’t seem to be a single person out there not humming along to the chorus of the smash hit. The band formed two years prior to their debut album, Torches, and consisted of Mark Foster (lead vocals/rhythm guitar), lead guitarist Sean Cimino, keyboardist Isom Innis, and drummer Mark Pontius. What I thought the band’s strengths at the time of their debut was their ability to make every note, every hook, feel like you were part of something bigger than yourself. Foster the People found early success that most bands could only dream of, and this album went on to sell more than two million copies in the United States. The irony found here was that the business Mark Foster was trying to break away from (commercial jingles) would only add to his band’s marketability, and he’d hear his music in commercials nonetheless.
Read More “Foster the People – Torches”Review: Fenix TX – Lechuza
Of all the bands that got attention during the boom of the pop-punk and Drive-Thru Records era, I always thought that Fenix TX didn’t get enough love. Their self-titled debut (after their official name change) launched their first legitimate hit in “All My Fault” and had several other tracks on the album that could’ve been just as successful with the right commercial push. Lechuza brought some added pressure since they were expected to outsell their MCA/Drive-Thru Records debut and take their sound to new and exciting directions. They officially kicked off this era of the band with the single, “Threesome” that received moderate MTV2 video airplay and some success with the Warped Tour crowd. With great guitar work, solid pop hooks, and a fresh sound to go into this album cycle, why did Lechuza not get the same amount of attention as their colleagues on the same label?
Read More “Fenix TX – Lechuza”Review: Never Loved – Over It
On the debut full-length album from Never Loved, the band is able to channel their rich plethora of influences directly back into an ear-pleasing effort. The studio album entitled Over It, was produced by veteran hit-maker Matt Squire (All Time Low, Taking Back Sunday) and Squire is able to get the best out of the three-piece South Florida band. The band is comprised of vocalist/guitarist Cameron Knopp, bassist Jay Gayoso, and guitarist Shane O’Brien, all of whom are able to pull on each of their strengths as musicians to create a worthy debut focused on the mess that gets thrown our way and still finding a clear path forward to get through it all.
Read More “Never Loved – Over It”Review: Ours – Distorted Lullabies
A little known fact about Ours is that Distorted Lullabies is not actually their debut album. The band, led by multi-instrumentalist and vocalist Jimmy Gnecco, released their debut way back in 1994 called Sour, and disbanded for several years. Once Gnecco decided to get things up and running again in 1997, he would put the framework together for signing a major label record deal with Dreamworks Records and pair the band with veteran producer Steve Lillywhite (U2, Chris Cornell) to create the songs that would become Distorted Lullabies. I had the opportunity a few years back to check out Gnecco’s solo acoustic shows as he tried to get Ours back up and running full time and it was evident that he clearly still has the musical chops to take his music to the next level. During that particular performance, he told several stories of the early stages of Ours and how the label thought of them as “the next possible U2-caliber band to break out into the mainstream.” While the band did not experience the commercial success of the label’s lofty expectations, this record remains one of my favorites to come out during this time period, and I vividly remember discovering the band through their music video for “Sometimes,” that received semi-frequent airplay on MTV2. While the brooding, and darker-themed elements of their music may be remembered most during this era of the band, I’ll most remember that feeling of discovering my next favorite “underappreciated” artist.
Read More “Ours – Distorted Lullabies”Review: Fried Monk and Beautiful-Fortune – Here As One
After several years of working on each of their respective solo projects, Fried Monk (Lucas Kozinski) and Beautiful-Fortune (Jameel Farruk) join forces on the experimental EP called Here As One. With a sound in the same vein as Broken Bells, Gorillaz and MGMT, this new collaborative project makes for a quick but enjoyable listen. The EP is built around the strength of the lead single, “Planet B,” that drives most of the lasting impact of the record. In a recent interview Farruk described the track by stating, “I’m overly curious about the sun. I’m borderline obsessed with it. As a solo artist, I can’t help myself from having referred to the sun over and over throughout my catalogue of songs.” Based primarily on the aftermath of a difficult breakup, Farruk describes the song as “a declaration of my acceptance of a life without her.” With so much packed into these three songs, it’s hard to not take notice over the two artists’ chemistry.
Read More “Fried Monk and Beautiful-Fortune – Here As One”Review: The Lillingtons – Can Anybody Hear Me? (A Tribute to Enemy You)
There is no denying the power that music can have in bringing us all together, especially in times of tragedy. Shortly after the death of David Jones, lead vocalist of Enemy You, tributes came pouring in from all over the globe of bands who appreciated his band’s music in ways they couldn’t even begin to describe. Enemy You ruled the 90’s melodic punk scene, and left a remarkable footprint for other bands to follow in wake of this tragedy. The Lillingtons have lovingly re-imagined several songs from Jones’s catalog for the Red Scare Industries covers EP called Can Anybody Hear Me? In these six songs that comprise this record, you can hear the magic of David Jones’s legacy all over these carefully crafted covers. In a recent interview for the publication, Brooklyn Vegan, The Lillingtons’ vocalist/guitarist Kody Templeman (Teenage Bottlerocket) added, “We were fans of David Jones’s music before Enemy You, but he was at his peak as a songwriter during that time. Those albums have always been special to us. David will always be special to us. We’re proud and honored to be releasing these songs along with Ken and Chris.” The record has been pressed to vinyl with a portion of the proceeds benefiting the National Suicide Prevention Lifeline.
Read More “The Lillingtons – Can Anybody Hear Me? (A Tribute to Enemy You)”Review: A Story Told – I Don’t Mind (To Get A Little Hurt Sometimes)
The latest single from the Charleston, West Virginia pop rock band A Story Told is taken from their upcoming album, American Made (out everywhere on July 16th), and has a great bounce to it in the same vein of bands like Twenty One Pilots, Smallpools, and the electronica-tinged brilliance of AWOLNATION. “I Don’t Mind (To Get A Little Hurt Sometimes)” is a great re-introduction to a band who are trying new and interesting elements in their sound to keep themselves on the cutting edge. The band is comprised of vocalist Alex Chaney, guitarists Josh Allen and Jason Lieser, bassist Zach Holley, drummer Casey Hardman, and their new sound feels ready to explode into the mainstream sooner rather than later.
Read More “A Story Told – I Don’t Mind (To Get A Little Hurt Sometimes)”Review: Lilith Czar – Created From Filth And Dust
There’s a lot to like about Lilith Czar. She does her best to fight misogynistic behavior in an industry filled with so much of it, adds another voice to the female empowerment movement, and still cranks out well thought out anthems worthy of the early praise garnered. Lilith Czar (formerly Juliet Simms) “killed” off her old identity in the track “All American,” in an attempt to distance herself from a person she no longer identified with as an artist. On Created From Filth and Dust, Lilith Czar channels her inner rock queen to deliver an album filled with dark tones, heavy synth-laden beats, and with just enough silver linings to ensure that the material doesn’t get too heavy. With so much new momentum going in her favor, it’s hard to not buy in to the controlled chaos she presents on this record.
Read More “Lilith Czar – Created From Filth And Dust”Review: Ash – Free All Angels
The Northern Irish band Ash doesn’t seem to get a lot of love here in the states, but I’m hoping by revisiting certain album landmarks such as the 20th anniversary of Free All Angels more will come to appreciate their music. This third studio album from Tim Wheeler (vocals/guitar), Mark Hamilton (bass), Rick McMurray (drums), and Charlotte Hatherley (guitar, backing vocals) is the one record I make sure to have on steady rotation when spring turns to summer. I started this tradition unconsciously back in the days of organizing my CD collection (in those big Case Logic binders) by making sure Free All Angels would be the first record I’d see in the front when school finally broke for summer vacation. From the opening lyrics of “Walking Barefoot” where Wheeler sings, “Your beauty took my breath away / In awe all day / Your company was so relaxing / Easy going ways / We saw the first signs of summer and springtime change / Walking barefoot along the sand / I hadn’t planned to stay / Yeah, we’ve been walking barefoot all summer / It’ll be sad my friend / To see it come to an end / Why can’t we just quit,” it marked a laid back transition in my mind of turning the page of the care-free days of what summer means in our youth.
Read More “Ash – Free All Angels”Review: Greta Van Fleet – The Battle At Garden’s Gate
When I first examined the curious case of Greta Van Fleet, I sat on the positive side of the review field when Anthem for the Peaceful Army hit the streets. With so many reviewers piling on the negative words and takes on their debut record, I could see where these writers were coming from, but I didn’t feel like the comparisons were fair. Sure, the obvious connections to sounding like Led Zeppelin come with its own set of risks for paying direct homage to one of the most legendary and creative rock bands of all time. However, these young musicians, made up of three brothers and their drummer Daniel Wagner, were making the music they loved and wanted to share with the world. This fruitful path led to several sold-out tours worldwide, multiple TV appearances, and with those accolades came a brighter spotlight shining on them to deliver on their sophomore effort, aptly titled The Battle At Garden’s Gate.
Read More “Greta Van Fleet – The Battle At Garden’s Gate”Review: David Cook – The Looking Glass
On the latest EP from the former Season Seven American Idol winner, David Cook takes bold new steps in re-imagining the way he approaches his songwriting and music. The Looking Glass EP has a certain swagger to it from an artist who feels like he’s getting his footing back, honing in on his strengths as a songwriter, and yet discovering new ways to tell his story. This is the first release of new music since 2018’s Chromance EP, and David Cook sounds as re-invigorated as he’s ever been. When I first heard the lead single, “Reds Turn Blue,” I wrote about this exciting new direction is his music, and I’m glad to say David Cook continues to cover new ground on this latest collection of heartfelt songs.
Read More “David Cook – The Looking Glass”Review: Waxflower – We Might Be Alright
On the debut EP from Waxflower called We Might Be Alright, they strike a nice mix of paying direct homage to emo heavyweights like Jimmy Eat World, Saves the Day, and The Maine while bringing their own unique package of vibrant guitar hooks and soaring melodies. What the band does well on this record is to re-package tried and true pop elements into refreshing new guitar-driven songs that are structured around the band’s strengths. While the music doesn’t stray too far away from their direct influences, there is plenty of ear candy to enjoy on this debut.
Read More “Waxflower – We Might Be Alright”