Review: Third Eye Blind – Out Of The Vein

Third Eye Blind found themselves at a bit of a crossroads when the time came to write the follow-up to two successful records: their stunning self-titled LP and Blue. Longtime guitarist/songwriter, Kevin Cadogan, was replaced with Tony Fredianelli and Out of the Vein would be the second album in a row without an outside producer. The band’s chemistry somehow didn’t suffer on this album that most 3EB fans rank very highly when looking back on the full breadth of the band’s discography. The album was recorded at their own Mourning Wood Studios in San Francisco, and Stephan Jenkins admitted that nearly 40 songs were written during the pre-production sessions that would become their third LP. Originally called Crystal Baller, but scrapped because everyone outside of Jenkins hated the name, Out of the Vein would solidify the band as one of the premiere acts in Alternative Rock history. The record was supposed to be released in early 2002, but the mounting pressure to live up to the legacy left behind on their first two albums led to several lyric re-writes. Ultimately, these growing pains worked out in the band’s favor creatively, even as their label (Elektra Records) imploded right as Third Eye Blind would release the record. Out of the Vein may not have the sheen of Blue, or the bulletproof legacy of their self-titled debut, but it still features several great Third Eye Blind songs that have stood the test of time.

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Google Releases Text-to-Music Tool

Google

Kyle Wiggers, writing at TechCrunch:

Google today released MusicLM, a new experimental AI tool that can turn text descriptions into music. Available in the AI Test Kitchen app on the web, Android or iOS, MusicLM lets users type in a prompt like “soulful jazz for a dinner party” or “create an industrial techno sound that is hypnotic” and have the tool create several versions of the song.

Users can specify instruments like “electronic” or “classical,” as well as the “vibe, mood, or emotion” they’re aiming for, as they refine their MusicLM-generated creations.

Max of Eve 6 Not Writing a Memoir

Eve 6

Max of Eve 6 was going to write a book, now he’s effectively writing a blog, the first entry is up and if all of it’s like this, this will be a must read:

The success that we had happened because we were middle class kids who lived in Los Angeles, whose parents could afford to buy us instruments and drive us to gigs. There was some talent involved, sure, just not that much. Our hit song was more a product of guilelessness naivete than talent. A willingness to turn phrases that ought not be turned because the syllables punched. A process we could repeat but never match in entertainment value because it was accidental. This kind of thing isn’t easy to admit. You spend years taking credit for your successes and blaming your failures on others, but the thing that the truth sets you free from is the shackles of your own ego, and as my first sponsor who was equal parts simple minded and brilliant used to say “your ego, my friend, is not your amigo.”

Liner Notes (May 13th, 2023)

Cheers

This week’s newsletter has early impressions of the new Japanese House album, thoughts on a really good week of new pop-punk and pop-punk adjacent music, and a love letter to summer. There’s also a playlist of ten songs worth your time, and this week’s supporter Q&A post can be found here.

If you’d like this newsletter delivered to your inbox each week (it’s free and available to everyone), you can sign up here.

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LARAAJI and KRAMER – “Submersion” (Song Premiere)

LARAAJI and KRAMER

Today is a great day to share the new single from LARAAJI & KRAMER called “Submersion.” On this ambient single, this artist channels warm music arrangements paired with sweeping instrumentation in a crowd-pleasing song. When speaking on the new track, the artist shared:

Memory, is an art. Sound, and its visual point of origin, can open our minds to ourselves, and to others. The potential truthful of every sound is strengthened when attached to a formless visual image. ‘Submersion’ is an act of submission, to Memory. It is the most sublime form of surrender, and it holds within itself the power to set us Free.

If you’re enjoying the direction taken here, you can pre-order the full-length record, Baptismal, here. I was also able to catch up with this artist for a brief interview below.

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MusicSmart 2.0

Apps

John Voorhees, reviewing MusicSmart 2.0 for MacStories:

MusicSmart, which is available for the iPhone, iPad, Mac, and Apple TV, is a little different than Tanaka’s other apps. Instead of casting a broad net to track the entire range of your musical tastes, the app is about digging deeper into individual songs, albums, or artists’ catalogs. But follow the threads offered by MusicSmart, and the narrow focus that sets it apart from Tanaka’s other apps will paradoxically lead to new musical discoveries and, ultimately, broaden your tastes.

I’ve been using it for a while and it works better on the more popular/mainstream stuff in my collection, but it’s a lot faster than Googling and trying to find any information on an album/song.

Logic Pro and Final Cut Pro Come to iPad

Apple

Apple:

Apple today unveiled Final Cut Pro and Logic Pro for iPad. Video and music creators can now unleash their creativity in new ways that are only possible on iPad. Final Cut Pro and Logic Pro for iPad bring all-new touch interfaces that allow users to enhance their workflows with the immediacy and intuitiveness of Multi-Touch.