The Raw Devotion of Julien Baker

Jia Tolentino, writing at The New Yorker:

When she was twelve, she made her dad take her to see Underoath, a post-hardcore band that, like her, circles Christian ideas without courting a specifically Christian fan base. “It revolutionized my world to watch someone imploring the audience in that way,” Baker said. (She has a stick-and-poke tattoo of the band’s logo.) It was soon after this that she got into the local punk scene. “A house show feels like a true faith community, socialist and communal,” she said. “The lead singer is less than two feet away from thirty people who are screaming the same thing. Punk teaches the same inversion of power as the Gospel—you learn that the coolest thing about having a microphone is turning it away from your own mouth.”

Fall Out Boy Are Still Confounding Haters by Refusing to Be Pigeonholed

Fall Out Boy

Annie Zalesk, writing for Stereogum:

And make no mistake: Since Fall Out Boy returned from a nearly four-year hiatus in 2013, they’ve adapted quite well to the modern music landscape. The band has six RIAA-certified platinum singles, with three of these (“My Songs Know What You Did In The Dark (Light ‘Em Up),” “Centuries” and “Uma Thurman”) certified multi-platinum. Their two most recent albums (2013’s Save Rock And Roll and 2015’s American Beauty / American Psycho) are also certified platinum, and they play outdoor sheds and arenas, something few formed-post-2000 modern rock bands attempt these days.

I enjoyed this piece.