Spotify Is Changing How It Pays Artists

Jason Tate

Billboard:

A new threshold of minimum annual streams that a track must meet before it starts to generate royalties. The threshold, according to MBW, will de-monetize tracks that had previously received 0.5% of Spotify’s royalty pool.

Financial penalties for music distributors and labels when fraudulent activity on tracks they have uploaded to Spotify has been detected.

A minimum play-time length that non-music noise tracks, such as bird sounds or white noise, must reach to generate royalties.

Hayley Williams Talks With Rolling Stone

Hayley Williams
Jason Tate

Hayley Williams of Paramore talked with Rolling Stone:

Making This Is Why was not a comfortable experience for any of us. There was already anxiety about getting back in the groove of creating stuff together after some time apart. We were hanging out plenty, but we weren’t making things. Zac was doing Half Noise and I made a couple projects, one with Taylor which Zac played on. Being like, “Okay, we’re gonna go for Paramore,” that was anxiety inducing. And then also the world was still scary and nothing ever feels certain anymore, really. 

I felt a lot of anxiety about being around people again, that weren’t just in my bubble. And knowing that on the other side of finishing the record I was going to enter the world again was really scary. Not because I thought, “I’m gonna catch COVID.” I didn’t get COVID until we started touring again. It was more about what that did to me in my mind. Part of me had gotten really used to just seeing the people that I know, personally, and that I have all this context for — my family, my bandmates, whatever. And now I have to go be around all sorts of people. People that probably don’t feel the same way, or we don’t align politically. I just don’t know how I’m gonna feel. I don’t know what that’s gonna look like. I don’t know if people are gonna like this version of me and/or Paramore. 

Diamond States – “While You Were Sleeping” (Song Premiere)

Diamond States
Adam Grundy

Today is a great day to introduce everyone to the power pop band known as Diamond States. While some have classified their sound as “American Britpop,” this band features a nice blend of Alternative Rock, dream pop, and indie rock in a package that is sure to leave you feeling better about the prospects for new music today. “While You Were Sleeping” is a tribute to the band’s guitarist Bryan Frazier’s late friend, Rob Fisher, who passed away in 2016. As Frazier puts it, “‘While You Were Sleeping’ is sort of a one-sided conversation with Rob. Just imagining that he’s still out there somewhere, and that we’ll meet again someday.” The single was mixed by veteran producer/engineer Brian Reeves (U2, Sparks, Rooney), and sounds as heavenly as its likely intended to be.

Read More “Diamond States – “While You Were Sleeping” (Song Premiere)”

Review: The Format – Interventions + Lullabies

Adam Grundy

How does one begin to encapsulate the meteoric rise of lead vocalist Nate Ruess’s career? Like most stories, you start at the very beginning. The Format (Nate Ruess and multi-instrumentalist Sam Means) formed in February 2002, and while their friendship goes as far back as grade school, their band chemistry was felt almost immediately. That electric-charged feeling of when a group of talented musicians come together to make art was felt far and wide in The Format. I first got wind of this band when they opened up for Jimmy Eat World and Paramore, and I found their charming mix of emo, pop, and Beach Boys-esque melodies to be immediately infectious. The Format was signed to Elektra Records for what would become their debut LP, Interventions + Lullabies, and much like many other major label artists during this period of time, the merging of record companies led to conflicts on whom the executives found worth pushing on radio, MTV, etc. The Format were ultimately left on the outside looking in when Warner Brothers (and finally Atlantic Records) had the rights to the band’s music. “The First Single” was the only song to be promoted during this album cycle, and it would remain a staple in the band’s set until their breakup in 2008.

Read More “The Format – Interventions + Lullabies”