Good friend Drew Beringer, you know him, has started a new newsletter. His first issue has fourteen essays all about Hayley Williams and how her music has impacted lives:

Now that the generation who loved Paramore and saw what Hayley meant at the time are the professional critics, and also probably owing to the increased accountability for blatant sexism within this music scene, we’re seeing a shift in critical evaluation of Paramore, finally some recognition of how brilliant they’ve always been. That might play a part in Hayley’s shedding that shame, but probably it’s mostly that she’s grown older, has been through some shit, and is ready to claim the confidence in her role that she has always deserved. It seems to me that that is what has allowed even for her to not have to utter the phrase ‘solo record’ as if it’s a dirty word, let alone to create one, and one that is this honest, expressive (both emotionally and musically) and unapologetic. It’s a triumph, one that is deeply rewarding to witness.

This was an instant subscribe for me.