Listening to Fall Out Boy on the Brink of Collapse

John Bazley, writing at Catapult:

We didn’t yet know exactly how the following year would work its fingernails into our neighborhood and pick it apart, but there was a palpable feeling of impending doom lingering over the roofs in my hometown.

All easy to ignore, of course, when Fall Out Boy would release a new record. I was twelve, living within my CD collection and the narratives it projected upon the world in front of me. I didn’t know about subprime mortgages or Lehman Brothers then. I just counted the days until Infinity On High. There was no other world event that could possibly take precedent over the release of that album. My excitement for Infinity On High may have been an unsustainable motivator, but sustainability itself was a questionable construct in 2007.

This is very well written.

Spotify’s Mood Related Data Lets Advertisers Target by Listeners Emotional State

Liz Pelly, writing for The Baffler:

[A] more careful look into Spotify’s history shows that the decision to define audiences by their moods was part of a strategic push to grow Spotify’s advertising business in the years leading up to its IPO—and today, Spotify’s enormous access to mood-based data is a pillar of its value to brands and advertisers, allowing them to target ads on Spotify by moods and emotions. Further, since 2016, Spotify has shared this mood data directly with the world’s biggest marketing and advertising firms.

This creeps me out.