Review: Collective Soul – 7even Year Itch: Greatest Hits, 1994-2001

The latest greatest hits collection from veteran Alternative Rockers, Collective Soul, called 7even Year Itch: Greatest Hits, 1994-2001 is a fitting and nice introduction to the band’s best work during this time period. It has all the major hits that you’d want in a compilation, from “Shine” and “Heavy” to more reflective songs like “The World I Know,” there truly is a little bit of everything to be found here. The set was produced by lead vocalist Ed Roland, and he carefully sequences the songs found on this greatest hits album in a way that makes sense for the listener to best consume it. The album was originally released on September 18, 2001, but it never found its way to the vinyl format until last month, via Craft Recordings. The vinyl packaging is a bit on the simplistic side, with a standard weight LP that is encased in a full-color sleeve with lyrics on one side, and some band photography on the other. The reissued set includes “Next Homecoming” and “Energy” for the first time in this package, and neither song feels out of place when listening to it front to back. Collective Soul were one of radio rock’s biggest bands, and they deserve another moment to relish in their best work.

Adam Grundy 4 months ago

Recently, I was able to catch up with Pat (drums) and Garrett (bass), of The Maine, before they played a show at The Fillmore Silver Spring. In this interview, I asked the band about their range of emotions with putting together the Sweet 16th Anniversary Tour, how they’d rank their albums in their discography, the status of several key vinyl reissues, and some fun facts about each of the band members.

Adam Grundy 4 months ago

Recently I was able to catch up with composer/Underoath keyboardist, Chris Dudley, to discuss his recent scores for films like the Screambox exclusive, Night of the Missing, that is currently available for streaming. In this interview, I asked Chris about some of his favorite scores of all time, his process for making his scores for films he’s assigned to, how music can feel different when listening to it in different environments, and he also offered up some news about Underoath’s new album progress.

Adam Grundy 4 months ago

The fifth LP from roots rockers, Uncle Lucius, is a solid slab of blues-driven guitar rock that hits its mark more often than not. Like It’s The Last One Left is the band’s first album since 2018, and their song “Keep The Wolves Away” was featured on the hit TV show, Yellowstone, recently that helped reinvigorate an interest in the band. Flash forward to 2023, and Uncle Lucius have returned with a record worthy of the legacy that they have built before them. The album was recorded to analog tape, with everyone playing together in real time, and you can really feel the energy of the band coming back together here. Uncle Lucius is back for all the right reasons, and I think we’re all better off for it.

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Interview: Nick Woolford of Have Mercy

Adam Grundy 5 months ago

Recently I was able to schedule a Zoom call with Nick Woolford (bassist/backing vocals) of Have Mercy to discuss the band’s latest full length record called Numb, that releases today via Rude Records. In this interview, I asked Nick about the band’s process for crafting the songs on this LP, the chemistry with their new drummer, how Taylor Swift’s Midnights led the band to some creative discoveries, and their favorite bands/venues in the Maryland area. Numb is available today here.

Adam Grundy 5 months ago

There’s something to be said for a band who knows how to make a well-crafted, thought out, and carefully mapped out album. AJR may have just made their early-career masterpiece on The Maybe Man, a record that is brimming with purpose, an ultra-personal touch, and better structurally organized than any of their previous four LPs. The Maybe Man finds the three brothers (Adam, Jack & Ryan Met) at a crossroads: they’ve just made their most commercially and critically successful record in 2021’s Ok Orchestra, the band recently announced their first arena tour, and yet the material found on this record is dripping with self-doubt. For a band that got famous with songs like “Bang!” “Weak” and the ultra-viral “World’s Smallest Violin,” the opening song/title track finds lead singer, Jack pondering vulnerably, “Wish I was a stone so I couldn’t feel / You’d yell in my face, it’d be no big deal / But I’d miss the way we make up and smile / Don’t wanna be stone, I changed my mind,” while getting into heavier material (lyrically) with “God Is Really Real” that comes to terms with their father, Gary’s, untimely passing. As close as I am to my dad, I can’t imagine going through life without my own mentor, and I commend AJR for tackling this concept head on with grace on The Maybe Man.

Adam Grundy 5 months ago

The sophomore set from alt-country up-and-comer Daniel Donato, called Reflector, is a colorful collection of songs that are brimming with lush textures and shimmering guitars. From the vibrant opening bars of the song “Lose Your Mind” to the closing, near 6-minute opus of “Dance in the Desert Pt. 2,” Donato leaves his musical blueprint all over this record that showcases his unmistakable talent. The Nashville-based singer/songwriter describes his new record as “Cosmic Country” and it fits well within the same realm of artists like The Lumineers, Lord Huron, and the crisp ,country twang of Zac Brown Brand. When speaking on his new LP, Donato shared, “I think ‘Cosmic Country’ is a tale as old as time, really. It’s yin and yang in a musical form. It’s three chords and the truth, and then on the other side it’s exploration and bravery. I really went through a lot of years of grinding, and still am, to achieve this sound which is a vehicle for my personality, and the personality is a vehicle for my soul. So (Reflector) is more that than any other record I ever put out.” Daniel Donato is quickly climbing the ladder of notoriety on Reflector.

Adam Grundy 5 months ago

It really does feel like yesterday that I was just unwrapping the CD of this Blink-182 classic, known to many as their [Untitled} fifth effort, and grinning ear to ear about the sound that was about to surround me for the next two-plus years of a standard album cycle. Little did I know, this would be the last studio album Blink-182 would record for eight (!) years, until they returned with 2011’s Neighborhoods. This studio effort was a flawless execution of slick pop-punk hooks, experimental rock, hip-hop beats, and a top-notch collaborative song with The Cure’s Robert Smith. While some longtime Blink fans were disappointed with the final result of this record (that succeeded the bulletproof pop-punk classic, Take Off Your Pants & Jacket), almost all of these fans now point to this album as a seismic shift in the band’s songwriting and offered glimpses as to where they would take their sound for the foreseeable future. This fifth LP was produced by Jerry Finn, and it would also end up being their longest album to date, clocking in at a little over the 49-minute mark. Mark Hoppus, Tom DeLonge and Travis Barker should be looking back fondly on this momentous album today that would find Blink-182 breaking down the silos of what a pop-punk band should sound like, and blow the doors off the hinges in the process.

Adam Grundy 5 months ago

Recently I was able to schedule a Zoom call with Sam Harris, the lead singer of X Ambassadors, to check in about the band’s latest single called “Alcohol.” I also asked Sam about his creative songwriting process for writing for X Ambassadors as well as stepping out into his recent solo work, and artists in the scene that he and his bandmates admire. X Ambassadors will be finalizing plans for their new album soon.

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Review: Broadside – Hotel Bleu

Adam Grundy 6 months ago

Usually when you check into a new hotel, it has a funny way of changing your outlook and mindset for the days to come. Whether it’s settling down in a hotel for a vacation, work trip, or just a weekend getaway, these places tend to have their own unique personality attached to them. Broadside have this concept well on the top of their mind on their fourth full-length record, called Hotel Bleu. The interesting thing about this album is that it finds Broadside tinkering with their sound and exploring the depths of their songwriting. While their last effort, Into The Raging Sea, took listeners on a journey through the darkest of thoughts, Hotel Bleu may just be the polar opposite. The latest LP by Broadside (Oliver Baxxter [vocals], Domenic Reid [guitar], and Patrick Diaz [bass]) is vibrant, lush, and as colorful as the name implies.

Adam Grundy 6 months ago

Recently I was able to connect with Lily Meola for a Zoom interview to discuss her uplifting new single called “Without You.” I asked Lily about her music upbringing, how she stays motivated as an artist, how she measures success as well as her breakthrough single “Daydream,” and what next year has in store for her promising musical career.

Adam Grundy 6 months ago

Recently I was able to schedule a Zoom call with lead vocalist Nathan Willett, of Cold War Kids, to discuss the band’s latest self-titled album that dropped today. In this interview, I asked Nathan about how the band goes about crafting a setlist at this point in their career, the key upcoming album anniversary plans, and Nathan offered some great nuggets of information about the band’s songwriting approach. Cold War Kids self-titled album can be purchased/streamed here.

Adam Grundy 6 months ago

There’s a lot to be said when a band takes a hiatus, re-shuffles their lineup, or just takes a breather to reset their focus on their music. 152 is the first album by Taking Back Sunday in seven years (with their last effort coming in 2016’s Tidal Wave), and arguably their best one yet. The album anniversaries of Tell All Your Friends and the upcoming 20-year mark of Where You Want To Be may have had a hand in TBS re-focusing their attention on their songwriting craft. There is also something to be said of the magic that happens when lead vocalist Adam Lazzara and guitarist John Nolan get in a room together to pen songs. 152 is a career-spanning love letter to the legacy Taking Back Sunday have built over their eight-album tenure, and they show no signs of slowing down anytime soon.

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Review: Crossing I’s Dotting T’s – I Used To Be

Adam Grundy 6 months ago

The debut LP by rock band Crossing I’s Dotting T’s is a grunge-filled love letter to bands like Deftones, Alice in Chains, and Stone Temple Pilots. I Used To Be has a variety of song types, and more often than not, it hits its intended target. When I last sat down with the lead vocalist from the band, I could tell that his core influences would likely bleed into the band’s debut album. From the soft-loud dynamic found on a Deftones-esque track, called “Far Away,” to the collaborative single with Have Mercy on “Cheap Beers & IOUs,” Crossing I’s Dotting T’s make a memorable first step in the music scene.

Review: Collective Soul – 7even Year Itch: Greatest Hits, 1994-2001

Interview: Pat Kirch and Garrett Nickelsen of The Maine

Interview: Chris Dudley of Underoath

Review: Uncle Lucius – Like It’s The Last One Left

Interview: Nick Woolford of Have Mercy

Review: AJR – The Maybe Man

Review: Daniel Donato – Reflector

Review: Blink-182 – [Untitled]

Interview: Sam Harris of X Ambassadors

Review: Broadside – Hotel Bleu

Interview: Lily Meola

Interview: Cold War Kids

Review: Taking Back Sunday – 152

Review: Crossing I’s Dotting T’s – I Used To Be