Review: Goldfinger – Goldfinger

The debut studio album by ska punk legends Goldfinger is turning 30 years old tomorrow, and it still has a bit of a unique charm to it. It’s the only Goldfinger record to not be produced in any capacity by lead singer/band leader John Feldmann, and it was all recorded directly to analog tape under the direction of Mojo Records founder Jay Rifkin. Goldfinger also spawned the band’s highest charting single to date in “Here In Your Bedroom” that was a Top 5 rock hit in the states. The sound feels like a mix between Dookie-era Green Day, paired with the ska horns of Reel Big Fish, and with an experimental vocal approach from Feldmann that channeled The Clash’s Joe Strummer. Goldfinger were just beginning to figure out their sound on this album, and it’s still a bit of a mixed bag in the overall listening experience. Songs like “King For A Day” and “Mable” are a ton of fun, and Goldfinger is worth another look.

Adam Grundy 5 months ago

Over the course of my lifetime there have been a handful of records that grabbed me from the first spin, stayed with me during various phases of my life, and continued to make a meaningful impact every time I revisited them. This is one of those albums. American Hi-Fi charmed their way onto the alternative rock scene in 2001 with their breakthrough debut single, “Flavor of the Weak”, that featured big-sounding guitars, paired with a pop sheen to it to ensure it would make an impact on radio. American Hi-Fi was produced by veteran producer, Bob Rock (Aerosmith, Bon Jovi), whom the band credits as making their debut “huge-sounding.” This wasn’t just your run of the mill debut rock record that had one or two good songs on it, and was bloated with filler around it. Quite the opposite. American Hi-Fi made a household name out of songwriter/vocalist Stacy Jones and would begin the astonishing rise of one of the more interesting power pop bands to come out of the early 00’s.

Adam Grundy 5 months ago

On paper, Prizefighter has all the makings of a great return to form for Mumford and Sons. The band has once again teamed up with their 2015 Wilder Mind album producer of Aaron Dessner, and this current album features several A-list collaborations from Hozier, Chris Stapleton, Gigi Perez, and Gracie Abrams. Several of these songs have guest writer credits on them from some big names in the music industry like Finneas, Brandi Carlile, and Justin Vernon. Having already released a record last year, called Rushmere, Mumford and Sons appeared to be reaching a rejuvenated approach to their songwriting. The band preceded the release of Prizefighter with two great singles in “Rubber Band Man” and “The Banjo Song” to create a solid anticipation of their sixth studio album. Yet when you push play on Prizefighter, you can’t help but think some of these songs could’ve used a little more time to marinate before seeing the light of day.

Adam Grundy 5 months ago

With nearly 30 years of band experience under their collective belts, New Found Glory feel like they’re out to prove they still belong in the upper echelon of pop-punk royalty. Listen Up! was produced by Steve Evetts (Simple Plan, The Wonder Years), and the lyrical topics of the new LP are shaped around guitarist Chad Gilbert’s battle with metastatic cancer and the friendship he has created with his bandmates. The riff-heavy record has that classic NFG sound to it, while adding in some contributions from now-permanent touring member/guitarist Dan O’Connor of Four Year Strong, and the album showcases what the band is capable of crafting when they hone in on their strengths as a unit. The ten-song effort is a model of New Found Glory’s gritty work ethic and professional consistency as a band that shows little signs of slowing down anytime soon.

Adam Grundy 5 months ago

Recently I was able to connect with Alternative Rock band, Alex Cherney & The Brothers Nylon, to discuss the news surrounding their fourth full-length record, MAGNETIZED. While the album drops on July 10th, today the band is sharing the lead single, “Good Life Crisis,” that is a great encapsulation of what this band is capable of creating. If you’re enjoying the interview, please consider pre-saving MAGNETIZED here.

Adam Grundy 5 months ago

Wuthering Heights is the second soundtrack album from Charli XCX, and it acts as a solid companion piece to the film of the same name. While a dramatic departure from her last international breakthrough LP (Brat), there’s a cool groove found throughout Wuthering Heights that highlights this artist’s willingness to dive headfirst into a different world and let different mediums of art influence her music. The majority of the music found here was co-written by Finn Keane, and they do a commendable job of capturing the essence of the screenplay and film in a bit of a gritty escape to the sound that made Charli XCX a household name. Charli XCX was in a self-described rut of feeling “stuck” after Brat, yet she turned to film to re-capture her imagination and burn a new flame of creativity. A sound that feels more like Brat meets Bridgerton, Wuthering Heights takes some big risks and showcases Charli XCX as a more complex artist than many give her credit for.

Adam Grundy 5 months ago

Recently I was able to connect with Tyler Schlagenhauf (lead vocalist/guitarist) of Alternative rock band Mylo Bybee ahead of the band’s release of their Revisions EP. With a sound that fits somewhere between the anthemic moments of Manchester Orchestra, paired with the emo sensibilities of Death Cab For Cutie, Mylo Bybee are onto something great here. If you’re enjoying the interview, please consider pre-ordering Revisions here.

Adam Grundy 5 months ago

It’s hard to find a more consistent and hard-working band than Story of the Year. The band has steadily cranked out six previous albums that each have their own personality and highlight Story of the Year’s ability to convey a wide range of emotions through relatable topics. The band shared, “In a lot of ways, A.R.S.O.N. picks up where Tear Me To Pieces left off. We used the same team – Colin Brittain producing again, with the main objective of simply writing great songs. Nothing was forced, no trends were chased, it was simply about getting to the essence of what makes SOTY sound like SOTY: Big guitars, snappy drums, and Dan’s ability to seamlessly oscillate between screaming & singing songs about desperation, loss, and the complexity of relationships.” This encapsulation of the sound Story of the Year were going for on A.R.S.O.N. makes a lot of sense, as the band continues down a familiar path, but with a more hard-hitting urgency. With the incorporation of heavier riffs and a more profound focus on screamed vocals when it makes sense for the songs, their seventh studio album is arguably their hardest-hitting record since In The Wake of Determination.

Adam Grundy 5 months ago

It’s one thing to have a string of bad luck, but to be cursed…that probably feels like forces beyond our control are swaying things towards the negative. As Sam Bielanski (founding member/singer-songwriter) explains, Clearly Cursed is directly inspired by their first visit to a psychic at the age of 21. “She read my tarot cards and told me boyfriend was cheating on me,” Bielsanki says. “That was true. She also told me that I had a dark spirit attachment which she could easily vanquish if I paid her $1500. That was obviously out of my budget, so I left and decided I would have to coexist with this dark spirit for the rest of my life.” PONY take it all in stride on their third full-length record, an album that wears their core influences of power pop, indie rock and post-punk on their collective sleeves. Joined by Bielanski is guitarist Matty Morand, who leans into a more polished sound on this latest effort that highlights the duo’s complimentary playing style. PONY may be Clearly Cursed, but this album shows that this band is bound for big things from this point on.

Adam Grundy 5 months ago

Zaq Baker is a talented singer-songwriter who is passionate about many causes. While the majority of his music topics range from love (“Bri”), mental health, and growing up (“Treadmill”), his latest song of “Victorious” takes dead aim at the heartbreaking ICE takeover going on in his hometown of Minneapolis, Minnesota. Baker could’ve gone in a multitude of directions on this protest song, but he chooses to focus on the human element and the neighbors who will be joining together to stand up for each other in the wake of fascism. On this five-minute song, that dives deep into the horrors that Baker and others have witnessed, his instrument of choice is an upright piano that evokes strong emotions with each chord.

Adam Grundy 5 months ago

After touring for nearly a year and a half on their debut LP, Stories and Alibis, Matchbook Romance buckled down in Long View Farm studios in Massachusetts to write the follow-up to their breakthrough onto the emo scene. Voices features a departure from the sound of their debut, and charted at #43 on the Billboard 200 upon its release on Valentine’s Day in 2006. Based on the strength of the lead single, “Monsters,” Matchbook Romance proved that they were capable of being much more than just your “stereotypical emo band.” Instead, Voices led the band down a darker path and expanded their audience along the way. The set was produced by John Goodmanson (Sleater-Kinney, Death Cab For Cutie) and the artwork was designed by Shawn Harris of The Matches. Voices is a record that I found immediately gripping and urgent, and I’m so glad that Matchbook Romance took this big risk on their sophomore effort.

Adam Grundy 5 months ago

Recently I was able to schedule a Zoom call with Canadian power pop band, PONY, to discuss everything that went into their new album called Clearly Cursed. I asked the band about the meaning behind key songs on the new LP, their upcoming touring plans, and much more. At the time of the interview, PONY had to cancel almost all of their U.S. tour dates due to Visa issues, but the band has since announced some additional dates supporting Phoneboy and Heart Attack Man (dates below). If you’re enjoying the interview, please consider pre-ordering Clearly Cursed here.

Adam Grundy 5 months ago

There’s a lot to love about the direction Ratboys took on Singin’ To An Empty Chair, the Chicago-based indie pop band’s sixth studio album. While the title of the record and artwork seem to imply that there’s an element missing, instead it is the beginning of an important dialogue with a close loved one lead vocalist Julia Steiner finds herself estranged from. Singin’ to an Empty Chair also marks the first Ratboys album written since Steiner began therapy, which the singer/lyricist credits for the clarity found in the lyrical material that is a vivid investigation of self-reflection and the importance of healthy relationships. While some of these conversations had within Singin’ To An Empty Chair may feel difficult, messy, or at times even bleak, Ratboys take it all in stride and leave signs of hope and clarity in the end. “It’s not all doom and gloom,” Steiner says. “The experience of making this record definitely gives me hope for whatever happens next.” By putting her full self into this album, Steiner and her bandmates live up to the hype surrounding this band that continues to get better on each release. If The Window was Ratboys telling the world, “We’ve arrived,” Singin’ To An Empty Chair emphatically states, “We’re here to stay.” I promise it will be worth the visit, and this wonderful record exceeded all of my expectations.

Adam Grundy 5 months ago

A couple of weeks ago I was able to schedule a Zoom call with the lead vocalist of Story of the Year, Dan Marsala, to discuss the band’s newest album, A.R.S.O.N. that releases on February 13th, 2026 via SharpTone Records. In this interview, I asked Dan about the songwriting process on key tracks from the new LP, where the album title originated from, and upcoming touring plans. If you’re enjoying the interview, please consider pre-ordering Story of the Year’s seventh studio album, A.R.S.O.N., here.

Adam Grundy 6 months ago

I had almost made peace with the fact that The Format would likely never make music again. The statement put out by the band on February 4, 2008 hit like a gut-punch from one of my favorite indie bands of all time, and now, almost 18 years to the exact day of the indefinite hiatus, The Format have returned. The roadmap that led to The Format making new music featured a few detours. fun. had formed shortly after the announced hiatus and would make a household name of vocalist Nate Ruess, and earn him his first Grammy Award for Song of the Year for the unstoppable “We Are Young.” The Format’s other half, Sam Means, would release a solo album called 10 Songs (which is definitely worth a listen if you never checked it out), while he watched his bandmate blossom in fun., and Nate’s own solo album entitled Grand Romantic. Much like the Interventions + Lullabies song of “On Your Porch,” Sam Means and Nate Ruess have always been drawn to making music together. The lyrics of, “So, now here I sit in a hotel off of Sunset / My thoughts bounce off of Sam’s guitar / And that’s the way it’s been / Ever since we were kids, but now / Now we’ve got something to prove,” feel a bit more emphatic now that The Format have reunited and released their third studio album of Boycott Heaven. Nate mentioned that he started to teach himself guitar during the pandemic, which seemed to unlock a key ingredient in the catalyst that brought him back to Sam. Shortly after the band had planned to reunite for a few returning shows, they re-discovered their love of creating art together, and I’m so happy The Format are back in full swing now.

Review: Goldfinger – Goldfinger

Review: American Hi-Fi – American Hi-Fi

Review: Mumford and Sons – Prizefighter

Review: New Found Glory – Listen Up!

Interview: Alex Cherney & The Brothers Nylon

Review: Charli XCX – Wuthering Heights

Interview: Tyler Schlagenhauf of Mylo Bybee

Review: Story Of The Year – A.R.S.O.N.

Review: PONY – Clearly Cursed

Review: Zaq Baker – “Victorious”

Review: Matchbook Romance – Voices

Interview: PONY

Review: Ratboys – Singin’ To An Empty Chair

Interview: Dan Marsala of Story Of The Year

Review: The Format – Boycott Heaven