Review: A Story Told – Mundane Magic

The latest musical offering from pop/rock band, A Story Told, is an electric-charged adrenaline ride of breathtaking hooks, pop breakdowns, and intricate storytelling in the lyrics to have lasting value. Mundane Magic is the fourth studio album from the Charleston, West Virginia band that is blossoming at just the right moment in their career. “Mundane Magic is the best way that I could possibly sum up this musical journey that the three of us have been on for years,” says vocalist Alex Chaney. “A friend once told me that the industry is a pendulum. You leave relevancy as quickly as you find it. I’m unapologetically proud to say our biggest strength is our consistency and commitment to truly being ourselves through our music and deeply committing to each part of the machine that makes us, us.” With a crisp musical delivery similar to bands like Bad Suns, The Cab, and Grayscale, A Story Told are making sure this album cycle is a memorable one.

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Review: Blink-182 – One More Time…

Blink-182 - One More Time...

It’s February 2023, 3:08 PM. Phone buzzes. Unknown number. Local area code.

”Tate, this still you?”

I’m thinking, “I can ignore this, right?” I almost always ignore these. But there’s something in the familiarity of the phrasing that picks at a scab in my brain. A small circle of people in my life have ever called me Tate. Most of them were from my childhood neighborhood. None of whom I’ve spoken to in over a decade. The silence between us is not due to any real falling out but a byproduct of the stretching of time that turns brothers into strangers.

It’s September 1997, 6:45 AM. I’m 14 years old and panicking. I’m about to start my first year of high school, and I am fucking terrified. Middle school was rough. And standing there alone in my parent’s basement has my skin feeling like a hand-me-down Halloween costume. Who am I? Who the ever-living-fuck am I? I walk to the bus stop. It’s raining. I have no music in my ears. Up to this point in my life, music has been something that happened around me. My parents played music in the background, friends showed me some grunge and metal records; I heard pop music on the radio. But I was a passive passenger to the sounds that washed over me. A hook searching for bait in a world rapidly changing before my childhood eyes.

Second stop, a few kids I know jump on.

”Hey, Tate, have you met Ryan?”

Friendships formed through the collective trauma that is high school tend to have a weightier feel as we get older. Reminiscing on them is like the smell of pencil shavings, graphite and wood clipping the air, pulling us back to a simpler time. A nostalgic breeze where youth was the possibility of forever; that’s why we chase its intoxicating scent.

Over the next few months, Ryan and I will bond over girls, late-night phone calls, and navigating this torturous linoleum hell. He has an effortless cool that I admire and a confidence I try to fake. Our personalities play off each other well. We become fast friends while our neighborhood group reconnects. Most days after school, we are in the park trading insults and arguing over pop culture, or downstairs, alternating between shooting pool and fighting over the video game controllers. Our pubescent faces stuffed with everything my teenage metabolism would race to process. I never had any friends later on like the ones I had during those days. (Jesus, does anyone?)

One afternoon, Ryan will leave his CD binder at my house. That night, I’ll slide a grey album cosplaying as a six shooter’s cylinder out from a sleeve backed by a bull’s giant testicles and hit play. Never again will I walk to the bus without music. That’s the night I discovered Blink-182. And nothing’s been quite the same ever since.

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Interview: Dan Marsala and Ryan Phillips of Story of the Year

Story of the Year

Recently I was able to schedule a Zoom call to connect with Story of the Year members, Dan Marsala (vocals) and Ryan Phillips (guitar), to discuss their memories of recording and writing the now 20-year old album Page Avenue. I also asked the band members about other album anniversaries coming up, including In The Wake of Determination, and their plans for celebrating these key milestones. The band is currently touring in support of the 20th anniversary of Page Avenue, and they have released several merch items on their webstore to celebrate.

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Review: The Menzingers – Some Of It Was True

The Philadelphia-based punk rockers, The Menzingers, are showing no signs of slowing down on their great seventh studio album called Some Of It Was True. Produced by Brad Cook (Bon Iver, the War on Drugs, Waxahatchee), the album feels as reinvigorated as the band themselves, and highlights the band’s songwriting improvements from moving away from more introspective songs to more worldly issues that affect the lives of everyone around us. While their last record, Hello Exile, was drenched in the cloud of COVID quarantines, Some Of It Was True finds The Menzingers reaching outside of their usual comfort zone of writing by expanding upon the ideas they’ve tinkered with over their storied career, and quite possibly, creating their most fully-realized work of art to date. This album was recorded at the legendary Sonic Ranch in the heart of El Paso, Texas, and this foursome utilized the strengths of producer Brad Cook to create a record that not only moves the needle of creativity further down the line for The Menzingers, but also makes for an ultra-memorable statement as one of the best albums of 2023.

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Review: As Good As It Gets – Some Fantastic

The latest EP from Kentucky two-piece pop rock band, As Good As It Gets, called Some Fantastic, is a love letter to the pop-punk bands we all grew up with like Weezer, Green Day and The Starting Line. While As Good As It Gets wear these influences proudly on their sleeves, Some Fantastic offers up some glimmers of a direction the band can take as they continue to develop their sound. Having formed in 2001, and releasing 3 EPs and 3 LPs during that period of time, As Good As It Gets are coming to terms for what works well for them, and they hone in on those elements on this record.

”Keep The Lights On” is a brash, pop-punk rocker that is in the same vein of punk rock bands like The Homeless Gospel Choir and Gob, while “Pushing Papers” finds the two-piece band adding in some well-placed piano/keys to expand upon their sound. The lyrical material covers the pitfalls of working a 9 to 5 job, and trying to make ends meet, all the while looking for those key parts of inspiration in their true love: music.

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Review: Barely Civil – “Coasting, Mostly”

The start of a new album cycle is always a thrilling process. Barely Civil have kicked things off on the right foot with their newest single, “Coasting, Mostly” that has a punk rock spirit, and highlights a more emotive side of the band. While their last record, I’ll Figure This Out, focused largely on the soft/loud dynamic in their sound that became popular during the emo boom of the 00’s, the latest single found here reignites the passion for this scene of music.

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Review: Someone Who Isn’t Me – Geoff Rickly

Addiction can be one of the most heart-breaking things you can see a loved one go through. Whether it’s seeing someone deal with a disease like alcoholism, or in the case of Geoff Rickly (the front-man of Thursday and No Devotion), it was heroin use. Rickly’s debut novel is called Someone Who Isn’t Me for a myriad of reasons in my interpretation of the book: he’s writing the book with a person named “Geoff” as a fictional character who just happens to be the front-man of a band called Thursday, he’s writing with the intention of replacing several key “character” names with different names, and most importantly, Geoff Rickly doesn’t recognize the person that he’s become. Someone Who Isn’t Me is riddled in tragedy, heartbreak, and luckily the real Geoff makes it out fairly unscathed in the process. As great of a lead singer and lyricist Geoff Rickly is, he is arguably a more talented writer on this loosely-based work of fiction that feels as raw as its likely intended to be.

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Review: Record Heat – Welcome To Record Heat Country

When I caught wind of Record Heat (previously known as Spirit Animal) recording their next album, I was immediately intrigued to see what this talented band would cook up. Welcome To Record Heat Country is a part-concept album about the wild west, part-Alt country much like classic rock bands like The Eagles, and part-rock and roll bliss. The band is comprised of lead vocalist Steve Cooper, lead guitarist Cal Stamp, and bassist Paul Michel, and their growth shown on this latest LP is pretty remarkable. Since the album came out in late September, to very little promotion, it’s been one of my “best-kept secrets” in the world of music. I often name-drop Record Heat to my friends looking for something unique in the music world, and this certainly fits the bill for creative music that is hard to describe without taking the time to absorb it after a few spins. Record Heat is what happens when you mix the rhythmic-rap driven Alternative Rock groove of Cake, the Country-tinged spirit of Fleetwood Mac, and the modern flair of The Struts.

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Review: Coheed and Cambria – In Keeping Secrets Of Silent Earth: 3

How exactly does a prog-emo band like Coheed and Cambria satisfy their rabid fan-base that was steadily growing by the day after the release of their debut, 2002’s The Second Stage Turbine Blade? The answer would be found by going even bigger and more grandiose. In Keeping Secrets of Silent Earth: 3 was released 20 years ago via Equal Vision Records, and the expectations that fans, critics, and quote-unquote “gatekeepers of the scene” would all be blown into oblivion on Coheed’s sophomore LP. While Coheed and Cambria may have never fit the mold of the Warped Tour band-label back in the early 00’s, the scene was rapidly changing at just the right moment in time for this ultra-talented group. At the creative surface, this album was continuation of The Armory Wars trilogy, that came from the brilliant mind of front-man/guitarist/lyricist Claudio Sanchez, yet there’s so many layers to the complex storytelling found on this record that plays out in its own type of music multiverse. The album was produced by Michael Birnbaum and Chris Bittner, and their crisp production allows for the record to shimmer much like the cosmos above us that inspire science fiction stories far and wide. While their debut full-length record invited fans into the world of Coheed and Cambria, In Keeping Secrets of Silent Earth: 3 blew the doors off the hinges into a cosmic exploration of what creative music can be.

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Interview: Emo Orchestra and Hawthorne Heights

Emo Orchestra

Recently I was able to schedule a Zoom interview with the leader of Emo Orchestra, Ben Mench-Thurlow, as well as the bassist from Hawthorne Heights, Matt Ridenour, to discuss the on-going tour. I asked both of them about what challenges this unique concert experience brings to the table, how the setlist came together, as well as what they each love about Emo music. This tour of Emo Orchestra wraps up on November 12th in Anaheim, California.

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Review: Blue Vervain – “Mexico”

The latest single from indie-rock band Blue Vervain, called “Mexico,” features breathy vocals over lush musical arrangements to bring those perfect end-of-summer vibes into your headspace. From the mind of Jon Khan, Blue Vervain captures something magical on songs like this take from the newly released full-length record of The Garden. As Khan sings the refrain of, ““I want to see you, right now,” it’s easy to visualize that one person that you want to spend all of your days with.

Blue Vervain showcases his depth as key solo artist to watch as we get closer to turning the page on 2023. On this reflective new single, that fits well within the wheelhouse of bands like Ash and Dashboard Confessional, Blue Vervain have truly arrived. The Garden is an album that continues to go down the rabbit hole of the possibilities Khan can take his music, and if “Mexico” is any indication of the music to get accustomed to, you’ll want to stay tuned.

Review: Koyo – Would You Miss It?

”Greetings from this island life” is how lead vocalist Joseph Chiaramonte of Koyo sets the stage on “51st State,” the opening song from the band’s stellar debut LP Would You Miss It? Formed in Long Island, New York by five childhood friends who grew up together—Chiaramonte, guitarists Harold Griffin and TJ Rotolico, bassist Stephen Spanos, and drummer Salvatore Argento showcase their growth as a band that has released several marquee EPs that led them to this moment in time to finally deliver their most dramatic artistic statement to date on their first full-length record. The set was produced by Jon Markson (Drug Church, Regulate, One Step Closer) and it features some collaborations with Glassjaw, The Movielife, and Vein.fm to keep things remarkably interesting. Koyo have been road warriors as of late, having shared stages with I Am The Avalanche, Bayside, and No Pressure, and this live experience pays off widely on a set of songs that blast off of the speakers with vibrant energy. With such great momentum going in this band’s favor, Koyo could very well be this year’s breakthrough artist in the genre, much like how Turnstile knocked everyone on their collective asses with 2021’s Glow On. Would You Miss It? is filled with slick hardcore hooks, and showcases a band coming into their own at just the right moment in time.

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Honeytalks – “There’s Hope in the Hopeless” (Track-by-Track)

Honeytalks

Today I’m so excited to share with everyone an exclusive track-by-track feature by Welsh pop-punk band,Honeytalks, regarding their new EP titled There’s Hope in the Hopeless. Despite less than two years in existence, Welsh wunderkinds Honeytalks have already landed acclaim from BBC Introducing, as well as Kerrang Radio (finishing 2nd in the Marshall Records competition) and Bowling for Soup front-man Jaret Reddick. Upcoming sophomore EP, There’s Hope in Hopeless marries the best of the Drive-Thru Records era with a punchy and contemporary pop-punk grit. The record embodies struggle, positivity and triumph for those who feel marginalized and misunderstood. Mental health is at the thematic core of the new collection, but the overarching message is one of strength and hope, inspired by Honeytalks’ uplifting brand of melodic punk. This track-by-track was put together by Adam Scott, the lead vocalist and guitarist of Honeytalks, and the EP is available on all streaming services starting today.

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Review: All Systems Go – “The Lowdown”

The latest single from NJ pop-punk band All Systems Go called “The Lowdown” revisits the glory days of the genre and makes for a memorable statement. Imagine the Drive-Thru Records-era bands being put into a blender with their various styles and voices, and you’d likely end up with something similar to All Systems Go. Produced by Gary Cioni (Hot Mulligan, Crime in Stereo) and mastered by Mike Kalajian (New Found Glory, Senses Fail), this professional-sounding track is sure to be the perfect addition to that end-of-summer playlist you’ve been crafting.

The song opens with some somber vocals that quickly accelerate over the great guitar riffs, before exploding into an anthemic chorus. It reminds me a bit of early-New Found Glory paired with the crunchy, start/stop riffing of Fenix TX. The chorus of, “And I just hate how I get it now / It doesn’t matter if we talk it out / You make me wary of everything / That might just seem like the right move / To bringing me down / And I get it now / And I’m still wishing that you’ll come around / And now there’s nothing left that I can do / You just have to get through to you,” is well-constructed and thought out fully, as it tackles the theme of navigating a troublesome relationship. All Systems Go are showing a lot of promise on songs like this one.

Review: STMNTS – Tendencies

The music business is a very unforgiving place. The window of opportunity to make a mark in the music world appears to be getting slimmer by the day, so it’s of the utmost importance to deliver your best material as consistently as possible. Easier said than done, right? The new Baltimore punk band, STMNTS, are well up to the task of delivering the goods on their vibrant new EP called Tendencies. The slick five-song record is filled with anthemic moments, crisp guitar tones, and well-timed vocals/harmonies to make the EP remain memorable. With a sound that fits well within the realm of the crunchy guitar riffing of Four Year Strong, to the sensitive side of The Wonder Years, paired with the great emo production of Bayside, STMNTS are taking full advantage of their time. This band makes emo/punk music look effortless, and it’s quite a fun listening experience.

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