Liner Notes (February 6th, 2021)

Flowers

This week’s newsletter is pretty music heavy with thoughts on the new releases from Hayley Williams, The Night Game, Pale Waves, and discovering Matt Maeson. There’s also my usual commentary about the entertainment I consumed last week, a playlist of ten songs I enjoyed, and this week’s supporter Q&A post can be found here.

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Review: Foo Fighters – Medicine At Midnight

Foo Fighters

On the 10th studio album from Foo Fighters, they clearly are having a blast. Their latest record is called Medicine At Midnight and is one of their most accessible albums to date. The nine song set clocks in 37 minutes and was produced by Greg Kurstin and the band as well. While the past few Foo Fighters records never had a long lasting impact with me, Medicine At Midnight is one of those “lightning in a bottle” type of moments that feels like something important right from the first listen. In recent interviews, Foo Fighters front-man Dave Grohl likened the direction of this album to David Bowie’s Let’s Dance record by stating, “It’s filled with anthemic, huge, sing-along rock songs. It’s almost like a dance record—not like a EDM, disco, modern dance record. It’s got groove, man.” It’s hard to not share the same optimism for the record after hearing these tracks that are filled with vibrant pop elements that are still fully enriched in Foo Fighters’ long history of making solid rock songs.

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Hayley Williams Talks ‘Flowers for Vases’

Hayley Williams

Hayley Williams has called her new album more of a prequel:

This isn’t really a follow-up to Petals For Armor. If anything, it’s a prequel, or some sort of detour between parts 1 and 2 of Petals. The meaning of the album as a whole is maybe entirely different from diving into each song in particular,” says Williams. “For me, there’s no better way to tackle these individual subjects other than holistically. The ways I’ve been given time (forcibly, really) to stew on certain pains long enough to understand that they in fact, need to be released…indefinitely. I may never have been offered such a kindness; an opportunity to tend to the seeds I’d planted, to harvest, and to weed or prune what is no longer alive, in order to make space for the living. I wrote and performed this album in its entirety. That’s a career first for me. I recorded it at my home in Nashville, the home at which I’ve resided since Paramore released After Laughter. 2020 was really hard but I’m alive and so my job is to keep living and help others to do the same.

There’s also some new merch up for order, but no vinyl options yet.