Bon Iver is the center of a new feature at Pitchfork today:

For six weeks, everyone worked in different little studios, bringing ideas in and out to main rooms, auditioning riffs, futzing with samplers, pedals, gear, and synths until something genuinely surprising emerged. More than ever, Vernon was letting the band dictate the sound of the record: psychedelic and warm, dense and open. Even though there were plenty of false starts and dead ends, Vernon attests, “They’re all seeds—a mood that you can build around. I didn’t want to be worried about being the author of everything, it was more about trying to find something I can cruise on.”