How Fuse and ‘Girl’s Not Grey’ Sparked A Fire Inside Me

AFI

Remember Fuse Network? Before the channel was nothing but reruns of Sister, Sister and The Parkers, it was a haven for alternative kids. Dedicated to playing the newest and best in rock music, it was rose above other so-called music networks. It was true 24/7 music programming during a time when MTV and VH1 switched to reality TV. And back in the mid-2000s, I was obsessed with it. I’d watch Fuse every day just to see what bands they played. Programs like Comp’d and Steven’s Untitled Rock Show introduced me to My Chemical Romance, Dir En Grey, The Academy Is…, and Every Time I Die. But only one Fuse memory sticks out vividly in my head: watching AFI’s “Girl’s Not Grey” for the first time.

I had no idea who or what AFI was. My friends didn’t listen to them. I didn’t hear them on the radio. But when I saw that video, it grabbed me. It was strange, yet mesmerizing. The band performing under a red sky surrounded by cherry blossoms, the uncanny girl guided by a strange bunny creature, Davey Havok screaming while covered in black tar. It was like walking through a surreal dream. Unlike anything I’d seen before. And the song was catchy too. From that moment on AFI was my band.

I couldn’t get the video out of my head. I waited hours for it to download so I could watch it every day until I knew every scene by heart. But it wasn’t enough. I needed to know everything about AFI. I spent hours online learning about them, listening to their music, memorizing their lyrics, playing Sing the Sorrow daily, and even downloading their catalog from Limewire. (Hey, I was a broke high school student). Soon, printed pictures of Davey filled my locker. My notebooks were covered with poorly drawn versions of their logo. I told anyone who would listen about this amazing new band. I was obsessed.

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Review: Twenty One Pilots – Scaled and Icy

On the sixth studio album from Twenty One Pilots, the band literally could have gone in any direction that they pleased. Their run of ultra-successful records started with Vessel, exploded with Blurryface, and maintained high interest in Trench. On the latest album, Scaled and Icy, the band conquers complex themes like anxiety and self-doubt while still maintaining an optimistic outlook that things can and will get better. The material found on this album is largely upbeat, even when the weight of the lyrics allow the listener to reconsider everything that they just heard. In many ways, Scaled and Icy is the album that best represents the sound that their label Fueled By Ramen so successful over the past two decades. This album features elements of label alums like fun., Paramore, Fall Out Boy, and the modern glow of the recently signed Meet Me @ the Altar. By packaging so much raw emotion into this album that consistently delivers more than it misses, Twenty One Pilots have made yet another massive record perfect for summer and finding the light at the end of the tunnel out of this pandemic.

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