‘Gremlins 3’ Coming in 2027

Jason Tate

The Hollywood Reporter:

Warner Bros. is reviving the Gremlins franchise after more than three decades and with a couple of powerhouse names back on board.

Warner Bros. Discovery chief David Zaslav announced the greenlight of a new Gremlins film during the company’s third-quarter earnings call on Thursday. 

Zaslav said Steven Spielberg is back on board as executive producer through his company Amblin Entertainment. 

The 1984 original film’s writer, Chris Columbus, is also returning to produce and direct the film.

Interview: Twin Shadow

Twin Shadow
Adam Grundy

Recently I was able to schedule a quick phone call with an artist named Twin Shadow before he played a concert at Washington, D.C.’s Lincoln Theatre opening for Neon Trees, in support of his upcoming record called Cadet, that will be released everywhere on November 20th via Dom Recs. In this interview, I asked this talented artist about key tracks from his seventh studio album, plus where he finds most of his inspiration for his art. If you’re enjoying the interview, please consider pre-ordering Cadet here.

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Erin Shea Hogan – “By The Time It Gets Dark” (Song Premiere)

Erin Shea Hogan
Adam Grundy

Today is a great day to share the debut single from Erin Shea Hogan, a songwriter from Boston, on her lush cover of Sandy Denn’s “By The Time It Gets Dark.” Erin shared, “In light of all that we are facing in the world, I often find myself wishing for a different past and hoping for a better future. I offer this song as a prayer — a way to bring comfort amidst the uncertainty of our lives. I came across this song at a time when I needed it most. As an interpreter and champion of Sandy Denny’s work, I feel that many people are in need of this message amid the noise of our world, to live moment to moment, and to take each day as it comes.” If you’re enjoying the new solo work from Erin Shea Hogan, you can support this talented songwriter here.

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My Life In 35 Songs, Track 33: “Friends” by Matchbox Twenty

My Life in 35 Songs
Craig Manning

All my friends, all my friends are here

“All my friends are here.”

Those were the words pumping out of my AirPods as I took off from the start line of my second-ever marathon.

Wind back the clock a decade ago and show me the words I just wrote, and I would not believe they were genuine. Despite being a long-time distance runner, the idea of facing down the grueling task of running 26.2 miles without stopping didn’t just sound unpleasant – it sounded stupid! But the pandemic reoriented a lot of things for me, one of which was my dedication to distance running. And so, on May 27, 2023, I laced up my racing shoes and gave the marathon distance my second try, despite some excruciating memories that were still fresh in my brain from having run the same distance on the same course just one year earlier.

The running community has mixed feelings about racing with music, especially marathons. There’s this belief, in some circles, that music is a crutch, or even a distraction. Having tried racing a marathon since that second one without headphones in my ears, I can definitely understand the appeal of leaving yourself open to hear the world around you – conversation with other runners, cheers from the crowd, snippets of whatever songs spectators happen to have blaring out of their Bluetooth speakers as you run by – not to mention the sharp focus you can lock into when there’s nothing in your head but the miles. For my first five marathons, though, I did run with music, and during that second one, it helped carry me off to a level of serenity I had never achieved before and have never returned to since.

A lot of that, I think, had to do with the song I chose to kick off marathon attempt number 2.

The day before that race, Matchbox Twenty released Where the Light Goes, their fifth album as a band and their first one since 2012. Matchbox Twenty had been one of my favorite bands in the world growing up. Starting with their hit-filled debut album, Yourself or Someone Like You from 1996, this band and their angsty, melodic songs were a platonic ideal for me of what music could be. I still can’t hear tracks like “Real World,” “3AM,” or “Push” without flashing back to car rides to school when I was in first grade, my brother’s copy of the Matchbox Twenty debut spinning in the CD player. Later, as I started governing my own music listening, 2000’s Mad Season and 2002’s More Than You Think You Are were some of the first albums I truly fell in love with. The former was, for a time, my very favorite album ever.

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