Review: Panic! At The Disco – Viva Las Vengeance

The latest offering of music from Panic! At the Disco leaves a lot to be desired. It has some of the magic that made Panic a household name, but most of the ideas that are brought forth on Viva Las Vengeance ultimately feel forced and not fully fleshed out. The album was produced by Jake Sinclair, Mike Viola and Brendon Urie, and when the material is on point, it can be a fun ride, yet too many of these songs don’t live up the high (high) hopes. The promotional cycle included releasing four singles, that tried to garner enough interest in the record that was coming off of one of Panic! At The Disco’s more successful albums in Pray for the Wicked, and yet early reactions to the title track, “Middle of a Breakup,” and “Local God” left a lot of fans nervous about the direction Brendon Urie would be taking on the band’s seventh studio album. What we’re ultimately left with is a missed opportunity for Urie and his production team to take Panic! At The Disco to the next level.

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All Things Go Festival Set Times Revealed

All Things Go

Today the All Things Go Festival, which takes place on October 1, 2022 at Merriweather Post Pavilion in Columbia, MD, has released the official artist set times for the event. This year’s fest includes a headlining set from Lorde, with also marquee appearances from Bleachers, Mitski, Bartees Strange, Lucy Dacus, Hippo Campus and many more. We plan to have a presence at the All Things Go Festival to cover the event, including a media panel where we’ll be asking questions about what this great event means to these talented bands, as well as what each artist has been working on. For more information on the festival, visit the official site here.

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Review: Teen Suicide – Honeybee Table at the Butterfly Feast

Sam Ray is the most likable person in indie rock. If you didn’t pick up on my sarcasm there, it’s not your fault; it doesn’t translate well to text. In actuality, many people have many reasons to dislike Sam Ray, from his scathing send-up of Car Seat Headrest to his honest albeit prickly online persona and, perhaps most notably, the needlessly edgy moniker of teen suicide itself. Whether these reasons are valid enough to dismiss his music as a whole is totally your call, but I’m here to deliver the message that Ray’s newest album (and first since American Pleasure Club’s fucking bliss, a dark night of the soul via noise-rock), honeybee table at the butterfly feast, is one of the year’s most moving surprises.

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