This week in notable television performances we have Explosions in the Sky on Colbert on Monday the 4th and Kacey Musgraves on James Corden on the 6th.
Modern Baseball Release “Tripping in the Dark” Documentary
Modern Baseball have released a 17 minute long documentary called “Tripping in the Dark” on YouTube. You can also find that and the latest press release after the jump.
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Good Charlotte Release “40 oz. Dream”
You can stream a new Good Charlotte song called “40 oz. Dream” on Apple Music or Vevo, and pre-orders with the track listing for the new album are available on iTunes.
M83 Stream “Go!”
Explosions in the Sky Expand Tour
Explosions in the Sky have expanded their worldwide tour. Dates are after the jump.
From Brian Kessinger on Facebook and Instagram.
Tesla Announce Model 3
Ryan Adams Expands Tour
Ryan Adams has announced some expanded tour dates. Those dates can be found below. He was also recently on NPR talking and playing music with Bob Mould.
Sigur Rós Announce New Tour Dates
Sigur Rós have announced more tour dates, including a North American run. The band will be touring without a support act and playing two sets each night — one including brand new music. You can find the dates below.
“Every time you go on tour you want it to be different…and every time it is, usually because you have a new album you want to play people. And that can be fun, because you have to work out how to recreate all the complicated stuff you did in the studio for the stage. But there was a time when things were the other way round, when we worked stuff out on the road, and trying to capture lightning in a bottle was a problem for the studio later on. This time, in addition to playing songs you know, we wanted to remember the seat-of-your-pants feeling experienced in the wake of ágætis byrjun, when for two years we formed and re-formed the songs that would go on to be the ( ) album live in front of people, night after night. All we can say right now is it’s going to be different, with new unreleased songs, a new show and maybe some other new things. Beyond that, we can only ask you to trust us on this one.”
Deftones Stream “Hearts/Wires”
Deftones’ new song, “Hearts/Wires,” was played last night on Daniel P Carter’s BBC Radio 1 Rock Show. It starts at about the 2:40 mark, or is waiting to be taken down on YouTube.
The Matches Release Video for “Little Maggots”
After nearly a decade, The Matches have finished and released their video for “Little Maggots” over on AltPress. It’s also up on YouTube or by hitting read more.
Blink-182’s ‘Untitled’ Gets “Audiophile” Vinyl Pressing
SRC Vinyl have put up pre-orders for an “audiophile” pressing of Blink-182ʼs Untitled on vinyl.
The deluxe version of Blink 182 was mastered for vinyl by Kevin Gray (Coherent Audio), is pressed at RTI on a limited edition 180 gram audiophile, virgin black vinyl. The album will be housed in a thick 24 pt gatefold jacket with a matte and spot UV finish and includes center labels unique to this pressing. The deluxe edition of Blink 182 includes a 12 page booklet featuring lyrics and expanded artwork.
Julien Baker Covers Elliot Smith’s “Ballad of Big Nothing”
Julien Bakerʼs latest album is one that I keep imploring people to check out, today she’s released a cover of Elliott Smith’s “Ballad of Big Nothing.” This track comes from the upcoming tribute album, Say Yes!.
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Trailer for ‘Swiss Army Man’; Scored by Andy Hull & Robert McDowell
The first trailer for Swiss Army Man was released today. This is the movie scored by Manchester Orchestra and the one apparently about a farting corpse.
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Review: Noah Gundersen – Carry the Ghost
Leading up to the release of Carry the Ghost, the second full-length album from Noah Gundersen, I was a little bit nervous. I loved Noah’s first LP, last year’s Ledges, so much that I couldn’t imagine the follow-up living up to my impossibly high expectations. If I had to pick a favorite record of the decade so far, Ledges would be it, so the thought of Gundersen making an album as good (or even better) was hardly something that I was even daring to hope for. Furthermore, the first track released from Carry the Ghost—the piano-led album opener “Slow Dancer”—showed that Noah was looking to flesh out his sound significantly on this record. Even on first listen, I really did love the song, but by the time an anguished electric guitar came ripping through the arrangement, I was worried that Carry the Ghost might fall victim to the pitfalls that singer/songwriters often encounter when they trade acoustic bedroom folk for lusher full-band textures. After all, we hadn’t heard a lick of electric guitar on Ledges.